CultureBrew.Art: a Canada-wide IBPOC artists searchable database

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We’re delighted to partner with Vancouver-based arts company, Visceral Visions, to spread the word about their fantastic initiative, CultureBrew.Art (CBA). A digital platform created by racialized artists for IBPOC artists, CBA features a Canada-wide searchable database of Indigenous and racialized artists working in every artistic discipline: literary, media, performing, and visual arts.

As a CBA member, your profile will be visible to exciting engagers from across disciplines across the country! By subscribing to CBA, these engagers have shown a commitment to hiring BIPOC artists for their projects, events, and artistic collaborations, and they post opportunities on CBA to find artists just like you. Additionally, CBA’s private and secure message system allows Engagers to contact you directly, as well as for CBA members to connect with each other.

Check out the benefits of becoming an artist member, and if the one-time membership fee of $25 is a barrier for you, CBA offers bursaries through the Jean Yoon Bursary Fund!

The Ontario Arts Council is hiring an Associate Program Officer – Indigenous Arts

Associate Program Officer – Indigenous Arts

Competition Number: 1-24

Deadline Date for Submissions: July 24, 2024

Location: Toronto (Hybrid)

Contract Type: Regular Full-Time

Affiliation: Unionized

Remuneration: $59,263 – $89,771

Summary

In accordance with the OAC’s hiring mandate for this designated program area and pursuant to Section 24 of the Ontario Human Rights Code, the selection will be limited to Indigenous (First Nations, Inuit, and Métis) applicants. As such, candidates must self-identify within their application their Indigenous Nation(s) (First Nation, Inuit, Métis), and the community(ies) where they are from. 

The Ontario Arts Council (OAC) requires an Indigenous arts professional with experience in arts administration, and knowledge and expertise working with and in support of Indigenous arts, artists, collectives and organizations to join the Indigenous arts team in the newly added role of associate program officer. 

Under the guidance of and in collaboration with the program officer the associate program officer will support the management of Indigenous arts granting programs and other assigned responsibilities.  

The new role will strengthen support provided by the team for Indigenous artists and leadership in Ontario. 

Key Responsibilities

  • Administers assigned granting programs and supports the development of these programs with the responsible program officer 
  • Provides information, consultative advice and feedback to applicants and engages with Indigenous peoples in a safe and respectful manner  
  • Collaborates and participates in program planning, evaluation activities and administration, and supports special initiatives and services for the diverse Indigenous creative communities 
  • Facilitates the peer assessment grants process 
  • Reports and presents peer assessment grant recommendations to director, CEO and potentially the board of directors 
  • Supports the development of tools and processes to reduce systemic barriers for Indigenous applicants to access funding and create greater equity and inclusion  
  • Fosters and strengthens relationships through outreach and participates in the development and planning of outreach initiatives, information and grant writing workshops and initiatives, to better meet the needs and interests of the diverse Indigenous peoples and their communities.  
  • Provides the program officer with support in reporting on program updates and capturing highlights for internal and external communications 
  • Provides support for granting programs and for program officer(s) outside of Indigenous arts as assigned or when necessary, as assistance is required  
  • Ensures effective application of program budgets and program workflow 
  • Attends events on evenings and weekends and travels in Ontario, including remote / rural and Northern regions, to meet with artists and arts organizations on an occasional basis 

Key Qualifications

  • Experience and knowledge in Indigenous arts both customary and contemporary practices within a multi-disciplinary context 
  • 3+ years of mid to senior arts leadership experience in Indigenous arts  
  • Knowledge of Indigenous philosophies and ways of working, including barriers, key issues and trends coming from experience and credibility working within and in support of diverse Indigenous arts communities in the province 
  • Experienced and knowledgeable in grant writing and public funding systems 
  • Knowledge and experience of OAC’s grant application assessment process, as an applicant to the OAC, and using OAC’s application system (Nova) are assets 
  • ​Solid organizational and administrative practices and the ability to manage multiple responsibilities 
  • Adept at analyzing financial information pertaining to art project budgets; and preferred for arts organizations budgets  
  • Critical thinker with sound judgement and initiative 
  • Strong meeting facilitation skills and experience 
  • Proficiency in verbal and written English, and bilingualism in an Indigenous language and/or French is a plus 
  • Communicates succinctly and persuasively in written, oral, and public presentation formats 
  • Collaborative and engages constructively with diverse populations, both internally and externally  
  • Computer proficiency in MS Office Suite of programs as well as databases 
  • Valid driver’s license is a preferred asset 

Instructions

OAC is committed to building a skilled and diverse workforce. OAC values a diversity of perspectives, ideas and lived experiences as an asset in serving Ontario’s communities.  

Individuals are invited to submit a cover letter and resume.  OAC recognizes that interested individuals may not meet all of the above qualifications and possess other relevant education, and professional and lived experience that would make them the right candidate. Applicants are invited to share this with us in their cover letter.  

Please note that applications that do not include a cover letter outlining the qualifications and experience, and Indigeneity will not be considered:   https://www.arts.on.ca/about-us/careers-at-oac?lang=en-ca

While we thank all candidates for their interest, only those selected for interview will be contacted. 

Please contact Human Resources at hr@arts.on.ca if you are unable to apply on-line and/or require accommodations during the recruitment process due to a disability.  
 www.arts.on.ca 

Leadership Transition 

Dear friends and colleagues,

We are writing to congratulate our founder, Executive Director/ Convenor, charles c smith on his new adventure.  After 20 years of effort to develop CPAMO and bring it to its current level of professionalism, leadership and service in the arts community on issues of decoloniality, anti-racism, equity and pluralism, charles will be with CPAMO to the end of 2024 in an advisory role as he is moving on to another adventure as he leads the newly-established initiative entitled Canadian Network for Equity and Racial Justice (CNERJ), an exciting partnership between Canada, Mexico and the U.S bringing together leaders across diverse sectors, e.g., the arts, business, labour, academia, health, education, sports, etc.

The purpose of the Partnership is to share best practices and commit to taking concrete steps domestically and trilaterally to combat systemic racism, discrimination, and hate while striving towards cohesiveness between national laws and mutual commitments to international human rights conventions.

Funded by the Department of Canadian Heritage and supported by the Ontario Council of Agencies Serving Immigrants, the Chinese Canadian National Council Social Justice, Colour of Poverty-Colour of Change, charles will be the project lead for this exciting project.

We at CPAMO will certainly miss him – his leadership, vision, inclusive approach and his voice in matters of decoloniality, anti-racism, equity and pluralism in the arts.  Since the initial working days with Community Cultural Impresarios (now Ontario Presents) and the publication of Pluralism in the Arts in Canada: A Change is Gonna Come, charles pioneered many initiatives that have now become more regularly involved in conversations about the arts in Canada.  For example:

  • Writing, editing and soliciting books and articles on these issues;
  • Convening public forums first called Town Halls and now Gathering Divergence: Multi-Inter Arts Festival and Conference;
  • Organizing in-person and online panels, webinars and artistic showcases;
  • Advocating to all arts funders on the challenges and pressing needs of Indigenous, Black, People of Colour and other historically marginalized artists, i.e., the Deaf and disabled, immigrants and refugees, 2SLGBQTI, women and others
  • Conducting organizational reviews of large, medium-sized and small arts organizations;
  • Developing and delivering education and training sessions for a wide variety of organizations, including the CPAMOPOC pluralism organizational change program as well as the series of Anti-Black Racism in the Arts training program.

Just have a look at our website! www.cpamo.org

All in all, charles’ work for CPAMO has clearly made an impact in the arts world as now funders and arts organization are more involved with intent to address the issues CPAMO has raised.  While we will miss charles, we wish him all the very best for his new adventure.

And as CPAMO moves forward, we will keep you informed of how his invaluable expertise will be followed as we continue our work with our partners, colleagues and friends to embed decoloniality, anti-racism, equity and pluralism into the arts practices, goals, aspirations and concrete outcomes for funders and arts organizations.

Until the end of this year (2024), charles will be with CPAMO to start our strategic planning where we are working with BeSpoke Collective Consultants. In the interim, CPAMO will be exploring a Co-Director model with Erin Jones in the Convenor role as part of her current work as Curator, Transformational Change and Kevin A. Ormsby’s in his role as Curator, Programming will now include, engaging in CPAMO’s advocacy work with such organizations as the Canadian Arts Coalition.

Sincerely,

CPAMO’s Board of Directors