A Multi-Arts Day Focusing on Black Arts in the Creative Sector
February 24, 2026 via Zoom
For its February 2026 edition — WINTER 2026 | Black Arts in a Time Like Now — the festival centers the current realities of Black arts in the creative sector. This one-day mini-festival will both examine the landscape facing Black artists and arts organizations today and actively support those developing or envisioning projects seeking future funding. The winter session is designed to foster sustainable systems that strengthen and support thriving Black-led artistic practices and organizations.
Visioning Workshop for Black Creatives | 2:30pm – 4pm
This interactive workshop supports Black artists and organizations in developing and envisioning projects for future funding. Participants will work with experienced arts consultants in breakout sessions focused on strategy-building, funding pathways, sustainability, and fundraising. The workshop balances big-picture visioning with practical tools participants can immediately apply to their work.
Tickets: $10 each panel/workshop or $20 for the full day.
Please note: If ticket prices are a barrier to attending, please let us know and we will provide a complimentary ticket.
Meet Our Facilitators:
Facilitators: Nico Taylor, Queen Kukoyi, Allison Rolle, Jillia Cato, and Kevin A. Ormsby
Bios:
Nicole “Nico” Taylor is a performance and digital artist, curator, and scholar whose work dissects social constructions surrounding race and representation and highlights Black bodies using cosplay, storytelling, and graphic design. She holds a Masters of Arts from Concordia University. Nico is also a founding co-lead and collaborative member of Oddside Arts, a Toronto-based cultural arts organization that creates immersive, community-engaged projects using design, technology, and public art to explore cultural memory across the African diaspora.
Queen Kukoyi (they/she) is an award winning, Black, Gender-Queer, Neurodivergent creative technology artist with over 15 years of experience in grassroots advocacy and youth engagement as a community justice practitioner. Rooted in Black feminist thought, Queer theory, contemporary Afrofuturism, Igbo spirituality, and noetic sciences, their work integrates pattern, movement, sound, and augmented reality to explore healing, memory, and Black futures. Queen is Co-Founding Co-Lead of Oddside Arts, a cultural arts collective merging art, technology, and wellness through decolonial, black speculative practices centering Afrodiasporic and 2SLGBTQIAP+ communities.
Allison Rolle (they/them) is an award-winning artist, scholar, and program designer specializing in the composition of projects by and for community. As Research and Project Coordinator at Oddside Arts, Allison plays a senior guiding role on initiatives such as Archiving Black Futures, shaping program design and strategic direction. Allison’s work centers on building “infrastructures of thriving,” cultivating projects that respond to the intersectional, evolving, and multidimensional needs of the communities they serve. Partnering with organizations such as Bridges Niagara, Black Owned 905, and Unsinkable, Allison delivers participatory initiatives that integrate anti-coloniality, cross-sector collaboration, and relationship-building.
Jillia Cato-Weiler
Known as a lover of the arts, for her compassion and her positive progressive outlook, Trinidad and Tobagonian Jillia Cato is not only a dancer, singer, actress and Production Manager but also an advocate for artists equality and equity in all of her endeavours.
While based in Trinidad until 2019, Jillia was a international touring dancer for major soca bands Machel Montano and Kes the Band for 12 years, Stage Manager for the National Theatre Arts Company of Trinidad and Tobago and led a Children’s Theatre Camp catering to over 300 children for 3 years under the auspices of the Patrons of the Arts Foundation in Trinidad and Tobago. She also worked in film, featured in numerous music videos and video ads, was nominated for Best Crossover Artist by the Trinidad and Tobago Caribbean Music Awards (2017) and released her Debut album ‘Black Cinderella’ in December 2019.
Since moving to Toronto in 2020 she has worked with not only KasheDance and Cultural Pluralism in the Arts Movement Ontario (CPAMO) but also as a dance artist with Kaeja d’Dance, Wind in the Leaves Collective (WITL), Jumblies Theatre, Luminato, Hart House at University of Toronto, Sensorium at York University and Etobicoke School of the Arts and Kinetic Dance (Halifax, NS). You can find her most recent digital works in “In Case of Emergency” Kaeja d’ Dance (dance artist), ‘Searching for Eastman Series’ – WITL (dance artist), ‘Covid Creations Film’ – WITL (Production Manager), and ‘Konversations Series’ – KasheDance (Project Coordinator).
Kevin A. Ormsby, Co-Director, Curator of Programming and Engagement, CPAMO
At The Intersections of Culturally Responsive Art, Space / Place Making and Communities, Kevin A. Ormsby animates KOLLECTIVE NARRATIVES centering human interactions into artmaking and advocacy with an authenticity defined by those with whom he intersects.
Arts Sector Focused: Kevin is Co- Director / Curator of Programming and Engagement at Cultural Pluralism in the Arts Movement Ontario (CPAMO), he delivers Equity, Diversity and Inclusivity (EDI) programming and training for clients including the National Ballet of Canada, Canada’s National Ballet School, and Luminato Festival and others. He’s on the Boards of Dance Collection Danse, Toronto Alliance for the Performing Arts, and previously Canadian Dance Assembly, Prologue to the Performing Arts, and Nia Centre for the Arts, where he was Chair of Canada’s first professional multi-disciplinary centre for African-Canadian art. Dancer, Choreographer and Artistic Director of KasheDance, Kevin A. Ormsby has performed in Canada, the United States, and the Caribbean. He has been featured in works by Marie-Josée Chartier, Allison Cummings, Patrick Parson, Ronald Taylor, Ron K. Brown, Menaka Thakkar, Garth Fagan, Liz Lerman, Bageshree Vaze, Lemi Ponifasio, Christopher Walker, Denise Fujiwara among others.
Nationally Awarded: Mr. Ormsby is Theatre Centre’s Patrick Connor Award recipient (2023), Nominee for the Johanna Metcalf Performing Arts Prize 2023 and finalist for the Arts Prize 2021, he is a recipient of Canada Council for the Arts’ Victor Martyn Lynch – Staunton Award, a Chalmers Fellowship, and was a Toronto Arts Council Cultural Leaders Fellow.
In Education: Kevin has worked at Centennial College’s Dance Performance Program, has been a Guest Artist at Philip Sherlock Centre for the Creative Arts – University of the West Indies (Mona), University of Wisconsin – Madison, Northwestern University, and the University of Texas – Austin and Edna Manley College of the Visual and Performing Arts (Jamaica). His research and creative practice exist in constant interrogation and navigation of Caribbean and African Diasporic cultural practices towards a methodology of investigation in research, creation and presentation.
Our Funders & Supporters:
Cultural Pluralism in the Arts Movement Ontario (CPAMO) is supported by the Canada Council for the Arts, Canadian Heritage, Ontario Arts Council, Toronto Arts Council, the Ontario Ministry of Citizenship and Immigration, Sun Life, Azrieli Foundation, Metcalf Foundation, City of Toronto, and Barrett and Welsh.
Alana De Florimonte is an accomplished administrative leader and equity advocate with over a decade of experience across finance, professional services, real estate, and the arts. She currently serves as a Senior Administrative Assistant at IG Wealth Management, where she also leads community engagement for the company’s Black Business Resource Group. In this role, Alana curates culturally resonant programs and fosters partnerships with Black artists, entrepreneurs, and community leaders to advance equity and representation across the organization.
Cultural Pluralism in the Arts Movement Ontario (CPAMO) 
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