Meet our artists – Day 2!

Registration is open! May 10-13, 2022. Gathering Divergence Multi-Arts Festival & Conference Spring 2022. Behind the text images of a workshop and a person speaking with images projected on the screen behind him.

The Gathering Divergence Multi-Arts Festival & Conference
Moulding The Future:
Rethinking Strategies for the Arts Sector Now

May 10 – May 13, 2022
Via Zoom and Small World Music Centre (Toronto) 

This year, Gathering Divergence Multi-Arts Festival & Conference Spring 2022 | Moulding The Future: Rethinking Strategies for the Arts Sector Now will address emergent ways of rethinking the sector as we emerge out of the pandemic, focusing on the responsibility of the sector to strategize, implement supportive systems that benefit IBPOC artists / organizations and the Arts Sector at large.

We are excited to showcase these talented artists:

WORKSHOP II: ZERO PATIENCE: Addressing administrative worries and artistic barriers at the intersections of HIV/AIDS, Youth Work and Experimental Arts. 

Artists: Sean Morello, Julian Morello and Juan Saavedra
Date and time: Thursday, May 12, 2022 at 1:00 PM 

This presentation-workshop is told from the perspective of three artists: Sean Morello, Julian Morello and Juan Saavedra, all three racialized minorities, and all living with chronic and invisible disabilities.  In this session, a case study in developing a hybrid arts project will be explored, presenting the opportunities to mobilize and monetize creative work through a portfolio-driven lens. Additional considerations include project life cycles and administrative lessons to improve effective collaboration. The case study is a result of a micro-grant offered by Buddies in Bad Time Theatre during its Pride in Place festival, a response to the pandemic and lockdown measures. The project, Sleep Codes and Coordinate is a multi and interdisciplinary collaboration, bringing together theatre, industrial design, and live music.

This presentation address:

  • How does belonging to IBPOC groups inform or limit our creative practice?
  • What strategic actions can IBPOC artists pursue to protect themselves from punitive actions within the creative sector?
  • Processes of monetization when you work in both public funded and private sectors.
  • How to position projects and ground your artistic vision in research and narrative.
  • The importance of organizational policies that support IBPOC artists.
  • Capacity building as disabled artist living on the Ontario Disability Support Program (ODSP).
  • Combating shame and stigma through the arts; hybrid activism.
 About the artists:

a photo of a man wearing a brown coat, white shirt and a hat backwards in a pubJulian Morello is an artist specializing in performance through spectatorship and happenings. He uses makeup and costuming to push the boundaries of each narrative performed. As a graduate from CMU College of Makeup Art & Design, Julian uses his skills not only to elevate himself but others who wish to use makeup as a medium for expression and art. Julian is concerned with intersectional narratives that overlap the experience of queer, HIV+, BIPOC; his work spans through the individual and collective narratives shared by these identities, to engage audiences into the livelihoods of these margins of society.

a photo of a man wearing headphones near microphone and musical instrument Sean Morello explores and conveys universal experiences, using allegories as a conceptual frame of work. Print media, installation, mixed media, animation, video, sound and assemblage become intersectional components, rather than individual and separate entities. His choice of media is diverse as the universal experiences he conveys, because the politics of identity which appear thematically in his work are also subjected to various intersections and multiple interpretations. The individual experiences are as important as the whole; the viewer’s unique lived experience often becomes intersected into Sean’s art, and tells an even more personal story to the viewer than the narrative told at face value.

a headshot of a men in black and whiteJuan Saavedra is an interdisciplinary arts researcher operating between the domains of graphic and industrial design, and social policy. His interests included volunteerism, policy innovation, design-activism, and entrepreneurship. He is a recipient of the Mayor’s Community Safety Award (2017) from the City of Toronto for developing innovative arts-based programming. He has presented on topics such as: Co-Design, Death and Dying, World Sustainability, HIV Education, and Social Health. He holds a master’s degree in Design from Carleton University’s School of Industrial Design, specializing in health literacy, service navigation and education.

Artist Showcase: Robert Ball 
Date and time: Thursday, May 12, 2022 at 2:00 PM 

a photo of a man in white shirt and jeans jacket Born in Toronto, Robert Ball attended Claude Watson Arts Program and later studied part time at Humber College. Robert has traveled to and performed in over 60 countries as a featured vocalist and headliner with Royal Caribbean International. He has been a part of various musical theatre workshops and readings; vocal director “Funkentine Rapture” starring Tony Award Winner Lillias White, Principle/Ensemble – “Follow the Star”- starring Carol Woods (Grammy & Oscar Nominee), Ensemble – “We Ain’t Perfect” – Directed by Kenneth Roberson (Emmy Nominee), Principle – “Here’s What It Takes” written by Steven Page / Directed by Donna Feore, this is to name a few.

As a solo artist and background vocalist Robert has been fortunate to share the stage with and open for; Mary Mary, Nikki Yanofsky, Keshia Chante, Mya, Big Freeda among others. Robert has also worked as a studio session singer, working with producers; Robbie Patterson ( known for – Snow, Jacksoul ), Promise ( known for – Montell Jordan, Drake), Ray Angry ( known for – Joss Stone, The Roots)… He has toured Pride circuits (Toronto, Jamaica, Brooklyn, DC, London ON). In 2020 Robert was asked to curate a solo cabaret he called “Bold Bruised Born to Be” for the the Stratford Festival virtual series “Up Close & Musical”. Most recently he appeared in “Freedom” a cabaret in the 2021 Stratford Festival season curated and directed by Beau Dixon. Robert can also be seen making his principal movie debut in “Christmas on 5th Avenue”. Robert is a vocal tutorial coach for Sheridan College and a vocal coach / mentor / teaching artist with NIA Centre for the Arts. He is currently in Chicago the Musical in the Stratford Festivals 2022 season. Roberts solo music can be found on all streaming platforms.

Artist Showcase: Anushree Harjul
Date and time: Thursday, May 12, 2022 at 2:15 PM 

A photo of a women in a traditional Indian dress, behind her a flowing tree. Anushree Harjul, Kitchener ON, born and raised in India, is a Classical Indian Dancer, professionally trained in Indian Classical Dance form Kathak. Anushree has completed her Diploma (Visharad) in Kathak from Akhil Bharatiya Gandharva Mahavidyalaya Mandal under the guidance of her Guru Shri Harsha Thakkar and currently, she is taking advanced training in Kathak  under the guidance of Kathak exponent Shri Sanjukta Sinha. Anushree is a newcomer artist in Canada and recently she has worked in a Dance film Production – ” Desdemona in the Snow” by ” Nautanki Creations” – to be released this Summer.

Artist Showcase: Anqi Li
Date and time: Thursday, May 12, 2022 at 4:15 PM

a photo of a women in black and white Anqi Li is an Ikenobo student and art writer interested in cross-cultural communication.

Website: https://anqi.ca

Artist Showcase: Randell Adjeli
Date and time: Thursday, May 12, 2022 at 4:30 PM 

a photo of a man wearing a blue suit and colorful bow tieRandell Adjei is an entrepreneur, speaker and spoken word practitioner who uses his gifts to Empower the message of Alchemy. He was recently appointed Ontario’s first Poet Laureate.
Randell, is the founder of one of Toronto’s largest youth led initiatives; Reaching Intelligent Souls Everywhere (R.I.S.E Edutainment). In 2018, R.I.S.E received the Toronto Arts Foundation’s, Mayor’s Youth Arts Award.
Randell is the author of “I am Not my struggles,” a powerful Anthology released in 2018. Randell was also named CBC’s Metro Morning’s Torontonian of the Year in 2015 and NOW Magazines Local Hero in May 2017. In 2020 Randell opened up for President Barack Obama at the Economic Club of Canada.

Artist Showcase: Nickeshia Garrick
Date and time: Thursday, May 12, 2022 at 4:45 PM 

a photo of a women dancing Nickeshia Garrick is a settler on the stolen land of Tkaronto and has performed on this land for over 25 years. They are unapologetically a Black, Queer Artist, who believes in the healing power of breath through raw emotion and movement. She received her dance training at the NYIDE (New York Institution of Dance and Education), National Ballet School of Canada (Tkaronto), Toronto Dance Theatre (Tkaronto), and Simon Fraser University (Vancouver). Her classical vocal and theatre training was achieved at Eastwood Collegiate Institute (Kitchener). Nickeshia has had the honour of training with Sean McLeod (New York) to achieve her certification in Sean McLeod’s Reinforced Motor Function Technique®, RMF®. Her extensive dance training includes Bakari E. Lindsay, Arsenio Andrade, Rob Kitsos, Peter Bingham, and Christopher House. Nickeshia has received the privilege of performing in pieces by TDT, T.I.L.T Sound and Motion, Kaeja d’ Dance, Serge Bennathan, James Kudelka, Ballet Jorgen, and the Newton Moraes Dance Theatre, just to mention a few. Nickeshia has performed the Canadian National Anthem at the Rogers Centre, was a commissioned artist for the 2010 Winter Olympics (Vancouver) as part of the Push International Performing Arts Festival, has made appearances in various art installations and shows for Scotiabank’s Nuit Blanche (Tkaronto) and Fringe Festival (Tkaronto), and was invited to perform at the Nafro Festival (Winnipeg) as a soloist and part of a trio.

Nickeshia is a Dora Mavor Moore, winning and multi-nominated artist who holds their BFA in Dance from Simon Fraser University, is a Movement Teacher at the Toronto Film School and has recently completed her first independent dance film called ‘To My Past, Present, and Future…’ which is a continued exploration of what it is to be Black, Queer, Broken, and Spiritual.

Plus Day 2 will feature:

  • KEYNOTE: Santee Smith
  • SESSION: Digital Design Thinking / Focus on Monetizing Creative Content Online

Registration:  Tickets: $15 a day or PWYC
Day 1: Tuesday, May 10 via Zoom | 9:30 am – 2:00 pm
Day 2: Thursday, May 12 via Zoom | 12:30 pm – 5:00 pm
Day 3: Friday, May 13 in-person and live stream via Zoom | 11:00am-5:30 pm
Location: Small World Music Centre
Artscape Youngplace, 180 Shaw St, Toronto, ON M6J 2W5
 
Pleas note we have a limited number of Pay What You Can (PWYC) tickets to enable price accessibility for low income individuals to attend.

Covid protocols: People attending the event in Small World Music Centre need proof of vaccination or negative test within 24 hrs before the event. Masks are recommended in Artscape common areas. No food or drink in common areas and hallway.

Register online: https://the-gathering-divergence-spring-2022.eventbrite.ca

If you have any questions email: info@cpamo.org

As you know we have been fundraising for both — our last Gathering Divergence in December 2021 and for our upcoming Gathering Divergence in May 2022. Help us showcase more IBPOC artists and arts administrators by contributing today!
https://gofund.me/3f9402a9

Call for Submission: Gathering Divergence Fall 2021

The Gathering Divergence Multi-Arts Festival and Conference has been a powerful, positive and supportive convening of arts practitioners geared towards sharing strategies in the engagement of indigenous, racialized, deaf, disabled and mad, women and other historically – marginalized artists and communities. This year, Gathering Divergence Multi-Arts Festival & Conference Fall 2021 | Art in the Time of Healing: The Importance of IBPOC Arts in Planetary Renewal will explore the role of IBPOC artists and organizations in the time of healing and renewal as our society emerges and reopens from the COVID-19 pandemic.

Held over three days, the festival and conference will feature panel discussions, showcase performances, workshops and networking opportunities for arts organizations, artists and arts sector professionals asking the same questions about anti-black racism in the arts, digital technology, its intersections with one’s artistic / organizational practices all grounded within the EDIP (Equity, Diversity, Inclusivity towards Pluralism). The sessions will be aimed at investigating systemic challenges, providing professional development while building organizational and artistic capacity. We aspire to explore the many ways in which the arts and healing will support cultural impact, civic engagement and deeper understanding of emerging digital frameworks with a focus on planetary renewal.

What is the overall concept? 
Gathering  Divergence Multi – Arts Festival and Conference offers an interactive space where arts organizations, artists and attendees dedicated to advancing performance, advocacy and pluralism in the arts can share, dialogue on common interests, purposes and strategies towards a better more equitable and inclusive arts sector.

Why are we doing it?
We believe systemic change is more effectively achieved through collective, creative action, and seek to create, support and learn through open-source resources, toolkits and strategies to understand how we are influenced, relate to anti-black racism and digital technology in and out of our artistic practices and administrations.

What we hope to achieve?
We hope that everyone arrives at a better understanding of the many ways in which we support, create from and within the Arts sector as indigenous / ethno-racially identified artists with a pluralist lens.

Deadline: November 1, 2021 by 5pm

When & where is the event?
December 8-10, 2021

Location: Online / We may be able to offer a hybrid online and in-person events depending on public health guidelines.

What we offer:

•  Opportunity to display / showcase / facilitate a workshop to a wide range of artists/ audience, publicity, copy of performance. (No more than 15 minutes in length)

•  Visual Arts / Workshop RFP’s MUST include:

  1. Set up requirements 
  2. Estimated time for set up and striking of work
  3. Whether assistance is needed or included

•  Compensation Range:

  1. Dance / Theatre  / Music Honorariums $400 – $1000 (based on the number of artists)
  2. Literary Readings up to $300
  3.  Exhibition fees for Visual Artists will be based on CARFAC Standards 
  4. Workshops $250 (1 hour maximum, all disciplines)

Required for consideration:

•  Brief explanation of how your proposed work relates to ONE OR BOTH of the Conference’s Themes:  

  1. IBPOC Art supporting healing, the arts role in planetary renewal, art / healing / the environment 
  2. Workshops specific to the needs of the IBPOC Artists / Arts  Organizations and the Festival / Conference’s theme
  3. Digital Applications, Support and Thinking 

•  Works where the major contributors / artists or otherwise self-identify IBPOC

•  Works created by IBPOC artists and Organizations

•  Artist / Organization Website URL, Social Media Info

•  Biography (150 words)

•  Headshot / Company Image 300 dpi

•  Links to previous work(s) or work proposed. 

•  Visual Arts submissions MUST include:

  1. set up requirements 
  2. estimated time for set up and striking of work
  3. whether assistance is needed or included

Selection Process: 
Administered by a Selection Committee: CPAMO Board member(s), Program Manager, Executive Director, and Pluralism in Organizational Change (CPAMOPOC) members. The committee will consider the following:

  • Artistic Merit and with overall connection to CPAMO’s mandate and objectives
  • The Focus on the Gathering’s themes
  • Viability (overall programming cost, # of artists proposed, range / breath / depth of the submission)

What should I put in the submission subject line?
“Submission: The Gathering Divergence Fall 2021″
Please make sure to also include a link to your folder with the required support material.

An important notice: CPAMO operates in a Cloud-based platform. Documents MUST be submitted via (Google Drive, Box, One Drive, Dropbox etc.)

Where to send your submission? programming@cpamo.org

Successful applicants will be notified by Wednesday, November 10, 2021

Call for Submission: The Gathering Spring 2021

Gathering Divergence Multi-Arts
Festival & Conference Spring 2021

Call for Submissions

Gathering Divergence Multi-Arts Festival & Conference Spring has been a powerful, positive and supportive convening of arts practitioners geared towards sharing strategies in the engagement of indigenous, racialized, deaf, disabled and mad, women and other historically – marginalized artists and communities. This year, Gathering Divergence Multi-Arts Festival & Conference Spring 2021 | What Have We Learnt: Approaches, Lessons and Future Strategies towards Anti Black Racism, Equity, Diversity, Inclusivity and Digital Support in the Arts will explore frameworks for understanding the potential of working with digital technologies in IBPOC arts practices.

Held over three days, the festival and conference will feature panel discussions, showcase performances, workshops and networking opportunities for arts organizations, artists and arts sector professionals asking the same questions about anti-black racism in the arts, digital technology, its intersections with one’s artistic / organizational practices all grounded within the EDIP (Equity, Diversity, Inclusivity towards Pluralism). The sessions will be aimed at investigating systemic challenges, providing professional development while building organizational and artistic capacity. We aspire to enlivening the many ways in which the arts will support cultural impact, civic engagement and deeper understanding of emerging digital frameworks.

What is the overall concept? 
Gathering  Divergence Multi – Arts Festival and Conference offers an interactive space where arts organizations, artists and attendees dedicated to advancing performance, advocacy and pluralism in the arts can share, dialogue on common interests, purposes and strategies towards a better more equitable and inclusive arts sector.
 
Why are we doing it?
We believe systemic change is more effectively achieved through collective, creative action, and seek to create, support and learn through open-source resources, toolkits and strategies to understand how we are influenced, relate to anti-black racism and digital technology in and out of our artistic practices and administrations.
 
What we hope to achieve?
We hope that everyone arrives at a better understanding of the many ways in which we support, create from and within the Arts sector as indigenous / ethno-racially identified artists with a pluralist lens.

Deadline: March 31st, 2021
 
When and where is the festival and conference?
May 19-21, 2021 via Zoom  
 
What we offer:
Opportunity to display/showcase your work to a wide range of artists/ audience, publicity, copy of the performance. (No more than 15 minutes in length)

Compensation Range:

  • Dance / Theatre  / Music Honorariums $400 – $600 
  • Literary Readings up to $200
  • Visual Artists will be based on CARFAC Standards 

Required for consideration:
– Brief explanation of how your proposed work relates to ONE OR BOTH of the Conference’s Themes:   

  • IBPOC Experiences Approaches, Lessons and Future Strategies 
  • Workshops specific to the needs of the IBPOC Artists / Arts  Organizations and the Festival / Conference’s theme
  • Digital Applications, Support and Thinking 

– Works where contributors / artists or those self identify as IBPOC
– Works created by Black / IPOC artists and Organizations
– Artist / Organization Website URL, Social Media Info, Biography (150 words)
– Headshot / Company Image 300 dpi
– Links to previous work(s) or work proposed.
 
Visual Arts submissions MUST include:

  • Set up requirements 
  • Estimated time for set up and striking of work
  • Whether assistance is needed or included

Selection Process: 

Administered by a Selection Committee (CPAMO Board member(s), Program Manager, Executive Director, and Pluralism in Organizational Change (CPAMOPOC) members. The committee will consider the following:

  1. Artistic Merit and with overall connection to CPAMO’s mandate and objectives
  2. The Focus on the Gathering’s themes 
  3. Viability (overall programming cost, # of artists proposed, range / breath / depth of the submission)

What should I put in the submission subject line?

“Submission: The Gathering Divergence Festival Spring 2021″
 
Please make sure to also include a link to your folder with the required support material. 

An important notice: CPAMO operates in a Cloud-based platform. Documents MUST be submitted via (Google Drive, Box, One Drive, Dropbox etc.)
 
Where to send your submission?
programming@cpamo.org 
 

Successful applicants will be notified Friday, April 23rd, 2021