IBPOC Digital Strategy – Phase II: Digital Accessibility in the Arts sessions Nov/Dec 2020

Registration is now open for Digital  Accessibility in the Arts sessions: 
Presented by Victoria Anne Warner and Sean Lee, Tangled Arts
Thursday, November 19, 2020 | 11am-2:30pm EST
Thursday, November 26, 2020 | 11am-2:30pm EST
Thursday, December 3, 2020 |1pm-4:30pm EST
Thursday, December 10, 2020 | 1pm-4:30pm EST

Join Tangled Art + Disability in an exploration of crip culture and disability aesthetics. Participants will have the opportunity to engage with Tangled staff members that will discuss the following topics: Disability Arts, the social vs. medical model of disability, accessible curatorial practices and digital ways of engaging access.

Day 1: Join Sean Lee and Kristina McMullin in an educational session that charts the emergence and swell of the Deaf and Disability Arts sector in Canada, and what it looks like to not only curate disability arts, but to develop the cultural aesthetics of access. This includes a brief overview of disability arts in Canada, current and future approaches to accessible curation, inclusive approaches to marketing, and communication as a tool for building community.

Day 2: Drop-in sessions – bring us your questions, your plans and your ideas as they relate to Day 1 and we can workshop together during an open drop-in session on access.

Day 3: Join Jack Hawk and Victoria Anne Warner in a discussion around the possibilities of access as a cultural phenomenon. Participants will learn about digital tools and protocols in addition to outreach possibilities that exist in the digital sector.

Day 4: Drop-in sessions – bring us your questions, your plans and your ideas as they relate to Day 3 and we can workshop together during an open drop-in session on access.

Register on Eventbrite: https://digital-tools.eventbrite.ca

Bios: 

Sean Lee is an artist and curator exploring the notion of disability art and accessibility as the last avant-garde. His methodology reframes embodied difference as a means to resist traditional aesthetic idealities. Orienting towards a “crip horizon”, Sean gestures towards the transformative possibilities of a world that desires the way disability can disrupt.

Sean holds a B.A. in Arts Management and Studio from the University of Toronto, Scarborough and is currently the Director of Programming at Tangled Art + Disability. Previous to this role, he was Tangled’s inaugural Curator in Residence (2016) as well as Tangled’s Gallery Manager (2017). Sean was involved with the launch of Tangled Art Gallery, and has been integral to countless exhibitions and public engagements throughout his tenure at Tangled Art + Disability.

In addition to his position at Tangled, Sean is an independent curator, lecturer, and advisor, adding his insights and perspectives to conversations surrounding Disability Arts across Canada and the United States. Sean currently sits on the board of CARFAC Ontario, Creative Users Projects and is a member of the Ontario Art Council’s Deaf and Disability Advisory Committee and Toronto Art Council’s Visual and Media Arts Committee.

Victoria Anne Warner (Research Coordinator) has been working in Disability Advocacy and Justice for over a decade. She discovered her passion for analysing, taking apart, and rebuilding access policies in the sci-fi convention world, and hasn’t stopped since. She has worked with CUPE Ontario as the first Equity Representative for Workers with Disabilities, and her research led to the creation of new courses for union members across Canada on disability and ableism. She is currently interested in how to disrupt traditional power structures, and how she can implement those values in her work while making sure that previously unheard voices are not only brought to the table but valued.