Schedule for Gathering on May 28

The Gathering: Staging Change, A Conversation on Diversity in Dance in collaboration with Diverse Dance Initiative
Tuesday, May 28, 2019 | 2-6pm

Aki Studio Theatre
585 Dundas Street East, Toronto, ON M5A 2B7
Panel General Admission:  $10 – Register on Native Earth’s Box office.


(In the photo left to right: Kevin A. Ormsby, Roshanak Jaberi, Sashar Zarif, Laurence Lemieux, Nova Bhattacharya, and Robert Sauvey)

What does diversity mean to you? What are some misconceptions about diversity? How do we deepen our understanding of viewership? What are some of the politics around creating as a IPOC artist?  Why is this conversation still relevant? What are some of the circumstances that continue to fuel the divide in the contemporary dance community in Toronto? Panelists will speak about their various artistic practices and address the continued barriers faced by IPOC artists in Toronto. We aim to put forward some approaches explored by the Diversity Dance Initiative to combat these systematic challenges.

For more ifnromation about Diverse Dance Initiative see DDI Brochure

Participants: Kevin A. Ormsby, KasheDance – Moderator | Roshanak Jaberi | Sashar Zarif, Sashar Zarif Dance | Laurence Lemieux, Citadel | Nova Bhattacharya, NovaDance | Carmen Romero, Compania Carmen Romero | Robert Sauvey, Dance Umbrella of Ontario. Performance by Ronald Taylor Dance.


The Gathering: Conversations with Local Arts Services Organizations
Tuesday, May 28, 2019 | 2-6pm 

CSI Daniel Spectrum
585 Dundas Street East, Toronto, ON M5A 2B7
Panel General Admission:  $10 – Register on Native Earth’s Box office.


(In the photo left to right: Ruth Howard, Paola Gomez, Bruce Pitkin, Lila Karin, Wendy Rading, Kim Dayman, and Marlene McKintosh )

Curated by Parul Pandya in collaboration with MUSE Arts, East End Arts, Art Starts, Scarborough Arts, North York Arts, Urban Arts, Etobicoke Arts, Lakeshore Arts, Jumblies, and Muse Arts.

With the involvement of the leaders of local arts services organizations and other dynamic community-based arts organizations, this session will explore the important role such grassroots organizations play in connecting marginalized and other communities in the arts.

Participants: Ruth Howard, Paola Gomez, Shana Hillman, Bruce Pitkin, Lila Karin, Wendy Rading, Kim Dayman, Marlene McKintosh and Derek Spooner. Performance by Shaunga Tagore Theatre.


The Gathering Performances features Newton Moraes Dance, The Seat Next to the King, Nova Dance, and Alluvial Plain
Tuesday, May 28, 2019 | 7:30-9pm with doors open at 7pm 

Aki Studio Theatre
585 Dundas Street East, Toronto, ON M5A 2B7
Performance General Admission: $20 |  Students $15

Register on Native Earth’s Box office.


(In the photo left to right: The Seat Next to the King, Nova Dance, and Alluvial Plain)


Accessibility: Aki Studio Theatre and Regent Park Film Festival are wheelchair accessible. NIA Center for the Arts is partly wheelchair accessible.
We aim to host a fragrance-free event. Please do not wear perfume, cologne, or other scented products.


The Gathering on May, 21 and May 27-29 is in collaboration with:

CPAMO is supported by the Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council, Toronto Pearson International Airport’s Propeller Project, the Ontario Ministry of Citizenship and Immigration, the Applegath Group, CIBC Wood Gundy and English Testing Canada.


 

Accessibility: Aki Studio Theatre, CSI and Regent Park Film Festival are accessible. Nia Centre for the Arts is partially accessible.

We aim to host a fragrance-free event. Please do not wear perfume, cologne, or other scented products.

CPAMO is looking for volunteers to help with our upcoming Gathering!

Cultural Pluralism in the Arts Movement Ontario (CPAMP) is looking for volunteers to help with our upcoming Gathering: Celebrating 10 years of showcasing, convening and support for equity and pluralism in the Arts. Volunteers needed for 3-5 hours shifts to help direct attends to sessions at our Gathering May 27-29, 2019 (shift schedule in pdf ). As a token of our appreciation for each shift, the volunteer will receive a free ticket to another session or performance (except the gala on May 29 as its purchased ticket only). If you are interested in volunteering please send an email to info@cpamo.org by May 12 with your availability and a little bit about yourself. 


The Gathering: 
Celebrating 10 years of showcasing, convening and support for equity and pluralism in the Arts

Cultural Pluralism in the Arts Movement Ontario (CPAMO) celebrates 10 years of working with providing services to and facilitating learning forums for artists and arts organizations in equity, diversity, inclusivity and pluralism. Through centering their work around empowering the arts communities of Ontario with a focus on galvanizing opportunities for Indigenous and racialized professionals and organizations, CPAMO will convene the arts community around a  four day event, The Gathering: Celebrating 10 years of showcasing, convening and supporting equity and pluralism in the Arts. The first day of the Gathering will feature the Black Arts Mentorships session and the Nia Center for the Arts, for more information about all four-day please visit our website www.cpamp.org.


Accessibility: Aki Studio Theatre and Regent Park Film Festival are wheelchair accessible.

We aim to provide a fragrance-free event. Please do not wear perfume, cologne, or other scented products.


The Gathering on May, 21 and May 27-29 is in collaboration with:

The Gathering Performances on May 27

The Gathering Performances features Sashar Zarif Dance, Mateo Galindo Torres Dance, Carmen Romero and Adrenalin by Ahmad Meree

Monday, May 27, 2019 | 7:30-9pm with doors open at 7pm 
Aki Studio Theatre
585 Dundas Street East, Toronto, ON M5A 2B7
General Admission: $20 |  Students $15
Register on Native Earth’s Box office.

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Photo credit: Aria Evans

Mateo Galindo Torres is a Colombian born multidisciplinary dance artist based in Toronto. In his early teens, he discovered dance at a local studio in Bogota, training in various dance forms. From 2006 to 2010 Mateo traveled to Cuba to focus his training on classical ballet, and in 2010 traveled to Canada where he deepened his studies in contemporary and modern dance.  He has performed professionally in Canada, Colombia, Cuba, Germany, Mexico, and Panama. Last year, he has had the fortune to work with Debra Brown, Sashar Zarif, Enana Dance Theatre, Wind in the Leaves Collective, High Society Cabaret, Kaeja d’dance, Danny Grossman, Larchaud Dance Project, Aria Evans, Sogand, KasheDance, and Leica Hardy. As a choreographer, Mateo has created and presented his work in different Canadian cities. Mateo is the founder and artistic director of GUETCHA GUARITCHA. Mateo’s work is often politically charged, inspired by social subject matters, and fuses his eclectic movement background.

sashar zarif - photo by sashar zarif

Sashar Zarif is a multi-disciplinary artist, educator and researcher whose practice invites a convergence of creative and cultural perspectives, steeped in traditional, ritualistic, and contemporary dance and music of Western/Central Asia. He has toured in over 36 countries promoting cultural dialogue through fieldwork, residencies, performances, and creative collaborations.

Zarif holds a Master of Dance Degree from York University, where he also directed courses in dance and performance studies from 2004 to 2012.

He has been awarded the title of Master of Dance, as an honorary faculty member of Uzbekistan State Institute of Choreography. In 2012, Zarif received the Queen Elizabeth II Diamond Jubilee Medal.

Adrenaline (1)

What is more difficult, to stay in danger with your loved ones or to live alone in safety?
Adrenaline follows one man for one night, getting ready to celebrate his first New Years Eve in Canada after leaving his war-torn home in Syria. Using objects he has around the house, he unpacks memories of war, and tries to understand the price he has had to pay for his safety in Canada.
أدرینالین تروي حكایة جابر الشاب السوري الذي اضطرته ظروف الحرب في سوریا للّجوء إلى كندا. جابر یحاول الاحتفال بأول
لیلة رأس السنة له في كندا بعیداً عن عائلته. كیف یحتفل جابر في الوقت الذي أهله وأقاربه ما زالوا في سوریا؟ ما هو الثمن الذي
دفعه جابر مقابل الأمان الذي قدمه له وطنه الجدید كندا؟
Adrenaline is performed in Arabic with English subtitles.

Ahmad Meree (Actor & Playwright)
Ahmad Meree is an actor and playwright, born in Aleppo, Syria, a graduate from the
Higher Institute of Theatre Arts in Cairo. He has performed in Syria winning the Best
Actor Award in the Central Theatre Festival in Syria (2008). In Egypt, he directed
Ionesco’s The Lesson and won Best Director Award for directing Chekhov’s The Bear at
Cairo’s Festival of International Theatre (2013). Ahmad continued his journey as a
refugee when he moved to Canada in 2016. He now lives in Kitchener, ON, where he
works with MT Space as artistic associate, facilitator and co-director of their Young
Company. Ahmad has written three plays, Suitcase (2019), Adrenaline (2017) which he
toured to the Ryga Festival in Summerland, BC and Summerworks Performance
Festival in Toronto; and Underground (2014) (Best Original Script in the University
competition). Ahmad is the current Artist-in-Residence at The Registry Theatre in
Kitchener.

Majdi Bou-Matar (Director)
Majdi Bou-Matar is a theatre maker who immigrated to Canada from Lebanon in 2003. He holds an MA degree in Drama from the University of Guelph with research focus on
Canadian intercultural theatre. Majdi is the founder of MT Space, a professional theatre
company dedicated to cultural diversity. His most recent directing credits include T he Last 15 seconds, Body 13, Paradise, The Raft, Adrenaline , and Amal . His work tours nationally and internationally. Majdi is also the Artistic Director of IMPACT, a biennial international theatre festival in the Waterloo Region of Ontario, Canada. Majdi was recognized as the Presenter of the Year 2017 by the Canadian Arts Presenting Association (CAPACOA).

Carmen Romero

Compañía Carmen Romero is Canada’s most provocative flamenco collective. In their twenty-six years-plus in operation they have developed a rich and original aesthetic that employs flamenco as a language of expression and not as a cultural art form to solely preserve the traditional and historical origins. They invite curiosity, challenge and risk into the process as the genesis to their creations. Compañía Carmen Romero is described as a company that “conveys old traditions to the modern world articulating the primal essence of flamenco.” June Heywood, Caravan World Rhythms. Compañía Carmen Romero breaks the glass ceiling and lets flamenco tell the story, express the idea and open the creative door for all to enter and explore.

Compañía Carmen Romero is based out of Toronto, Canada. Originally founded in 1986 by Carmen Romero as artistic director to Candela Flamenca. Carmen Romero is of Spanish heritage and immigrated to Canada in 1971. It is remarkable that she has developed a collective of Canadian dancers and musicians that perform in prestigious events and stages in Europe the United States and Asia.  “The exclusive focus and depth of Romero’s commitment to the art of flamenco is not just understandable given her family heritage, but somehow fitting and more authentic.  She truly belongs to the history of flamenco in a way not easily achieved.” Dance International

 The collective produced five full-length theatrical flamenco productions: El Embrujo (The Bewitched) (1993), Flamenco Ayer y Hoy (Flamenco Yesterday and Today) (1997) Carmen Complex (2003). Flamenco de Ayer y Hoy premiered through Dance Works at the DuMaurier Theatre Centre, Toronto, then toured Canada the United States parts of Europe and Asia until 2002. Y entonces….. toured through Canada in 2014. The collectives latest dance drama JACINTO, world premier 2017 won a Dora Award for best sound composition for dance.

The collective also creates smaller works such as Luna Llena (Full Moon) that competed in the 9th annual Certamen de Coreografía de Danza Española y Flamenco (2000) at the prestigious Teatro Albeniz in Madrid, Spain. As well as May I join you? In 2014 at the International Festival de Castanuelas in Girona, Spain. UNO DOS y TRES toured with Dusk Dances in 2018. Compañía Carmen Romero has also created choreography and music for films such as: El Cambio by Dan Eisen,  Sombra by Bravo Fact, CARMEN by Paola Marino Films and Flamenco by Gloria Kim.

Compañía, Carmen Romero is very grateful for the creative financial support from the Canada Council for the arts, The Ontario Arts Council, the Toronto Arts council as well as public funding initiatives and private supporters.

Compañía Carmen Romero established The School of Flamenco Dance Arts, that offers training in flamenco dance, music, choreographic development and professional coaching. In

2010 Carmen Romero coached latin pop star Shakira for her song Gitana featured during her world tour “Sale el Sol.” Whether it be for recreation or profession, Carmen Romero invests her energy in finding people’s strengths and gives them the tools to train their mind and body. Compañía Carmen Romero’s moto “Discover your passion!  Invites you to explore through the power and artistry of flamenco.


 

The Gathering on May, 21 and May 27-29 is in collaboration with:

collaborators logos updated 2


 

Accessibility: Aki Studio Theatre, CSI and Regent Park Film Festival are accessible. Nia Centre for the Arts is partially accessible.

We aim to host a fragrance-free event. Please do not wear perfume, cologne, or other scented products.