From EDI to What? The Changing Landscape of Equity and Inclusion in the Arts

On a red and purple background, on the left CPAMO’s logo and in the middle text: The Gathering Divergence Multi-Arts Festival & Conference Spring 2026 . On the right a drawing of women’s face

 The Gathering Divergence Multi-Arts Festival & Conference Spring 2026

May 12, 14 and 15, 2026

Nancy & Ed Jackman Performance Centre

877 Yonge St, Toronto, ON M4W 3M2

This three-day hybrid festival and conference centers Indigenous, Black, racialized, Deaf, disabled, Mad, women, and other historically marginalized artists and arts communities.

Join us for From EDI to What? The Changing Landscape of Equity and Inclusion in the Arts
Part of Gathering Divergence Spring 2026

📅 May 15 at 10:30 AM
📍 Nancy & Ed Jackman Performance Centre + via Zoom

Equity, Diversity, and Inclusion (EDI) has become a central framework for how many organizations—including those in the arts—approach accountability, representation, access, and impact. In the arts sector, this work shapes not only who is supported, but whose stories are told and how audiences engage with them. At its core, EDI aims to focus on addressing systemic inequities, expanding access to opportunity, and fostering environments where differences are not only acknowledged but meaningfully supported.

At the same time, we are seeing a scaling back of EDI commitments in some institutions, from reduced funding to shifts in priorities or language. This raises important questions: Are arts organizations refining their approaches, or stepping away from accountability? And what does this mean for artists, cultural workers, and the communities they serve?

This shifting landscape raises important questions:

  • What does it mean to sustain EDI efforts in a time of constraint or controversy?
  • Are organizations reassessing strategy—or retreating from accountability?
  • How do we distinguish between meaningful integration of EDI principles and symbolic or performative efforts?

This panel brings together diverse perspectives to explore what is changing, what is at stake, and how EDI can be sustained with clarity and purpose in a shifting landscape.

Moderator: Kevin A. Ormsby
Speakers: Tamla Matthews, Nathaniel Hanula-James, and Dharmini Thirukumaran

Join us online or in person

Tickets

  • General Admission: $20
  • Artist / Arts Worker / Accessibility Pricing: $15

If ticket prices are a barrier to attending, please email info@cpamo.org to request a complimentary ticket.

Accessibility: 

Online:  Otter closed captions will be available 

In person: the Nancy & Ed Jackman Performance Centre: all spaces are accessible to most; many are barrier-free. For more information: https://jackmanperformance.ca/how-to-find-us/


Cultural Pluralism in the Arts Movement Ontario (CPAMO) is supported by the Canada Council for the Arts, Canadian Heritage, Ontario Arts Council, Toronto Arts Council, the City of Toronto, and the Ontario Ministry of Citizenship and Immigration.

Call for Submissions: The Gathering Divergence – Spring 2026

 

On a red and purple background, CPAMO’s logo and text on the right:
Call for Submissions
Deadline: April 3, 2026
Gathering Divergence Multi-Arts
Festival & Conference Spring 2026
Now and for the Future: Steps Towards Dismantling Inequities in the Arts
On the left a drawing of women’s faces

Topic: The Gathering Divergence Multi-Arts Festival & Conference SPRING 2026 | Now and for the Future: Steps Towards Dismantling Inequities in the Arts

When and Where:
May 2026
Online / In-Person events
Location TBA (Toronto)

The Gathering Divergence Interdisciplinary Festival & Conference is a festival and conference with a specific focus on Indigenous, racialized, deaf, disabled and mad, women and other historically – marginalized arts communities. Held over 2 days, GDMAF/C features performances, literary readings, visual arts exhibition, panels, workshops and creative investigations from diverse practices.

We facilitate

  • an interactive space where arts organizations artists and attendees share
  • dedicated to advancing, visual arts and performing arts , while advocating for pluralism in the arts
  • dialogue on common interests, experienced and strategies towards a better more equitable and inclusive arts sector

We believe
and encourage change can achieved through collective, creative action, and seeks to:

  • create, support and learn through open-source resources and toolkits
  • advance strategies to understand how we are influenced by issues of equity and digital technology in and out of
  • amplify the artistic practices and administration of IBPOC individuals

We aspire? We hope that everyone arrives at a better understanding of the many ways in which we support, create from and within the Arts sector as indigenous / ethno-racially identified artists with a pluralist lens.

APPLY NOW! Deadline: April 3, 2026

What we offer:

An Opportunity to:

  • Display your art
  • Showcase your performing / performance arts pieces (NO more than fifteen minutes in length)
  • Facilitate a workshop / professional development opportunity to arts workers, attendees or artists

Required for consideration:
Explanation of how your proposed work relates to the Conference / Festival through the following:

  • Broadening capacities for IBPOC Arts makers
  • Implementing creative processes for the future
  • Advance Equity, Diversity and Inclusive Learning
  • Professional Development for IBPOC Artists and Arts Organizations

Successful submissions will:

– AMPLIFY works where contributors / artists or those self identify as IBPOC
– SUPPORT works by Black / IPOC artists and Organizations
– INCLUDE Artist / Organization Website URL, Social Media Info, Biography (150 words)
– SUBMIT Headshot / Company Image / Bio Image 300 dpi
– ADD links to previous work(s) or work proposed.

For Visual Artist

  • PROVIDE Size, medium, title
  • INCLUDE installation requirements
  • UPLOAD 3-5 High Res JPEGS of work complied in a PDF Document
  • SUBMIT 300 Word Artist Statement
  • ADD 300 Word Explanation on how your work applies to the CPAMO Call for Submissions

For Performances or Workshops

  • INCLUDE Set up and installation requirements
  • SHARE Estimated time for set up and striking
  • INDICATE Whether assistance is needed or included
  • ADD 300 Word Explanation on how your work applies to the CPAMO Call for Submissions

Compensation Range varies:

– Dance / Theatre / Music Honorariums between $750 – $2000
  (based on the number of artists)
– Literary Readings between $500 – $700
– Workshops $500 (1 hour maximum)
– Visual arts* between $500 – $700 (for week’s showing)
  * CARFAC fees according to “Exhibitions in Other Public Places”


Selection Process:
Administered by a Selection Committee: CPAMO Board member(s), Co-Director/Curator of Programming and Engagement, Convenor/Co-Director Curator of Transformational Change, and Pluralism in Organizational Change (CPAMOPOC) participants.

AN IMPORTANT NOTICE: CPAMO operates in a Cloud-based platform. Documents MUST be submitted via (Google Drive, Box, One Drive, Dropbox etc.) and the link should not require permission for the Selection Committee to view.

Please make sure all submitted links are functional and include accessible links to a headshot and your support materials. Personal links from your computer / laptop should not be sent. Please upload all required.

QUESTIONS?

Contact: Kevin A. Ormsby programming [at] cpamo.org

If require accessibility accommodations please email programming [at] cpamo.org

Applicants will be notified by April 17, 2026

 

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The Gathering Divergence Winter 2026: Meet Our Facilitators

A Multi-Arts Day Focusing on Black Arts in the Creative Sector

February 24, 2026 via Zoom

For its February 2026 edition — WINTER 2026 | Black Arts in a Time Like Now — the festival centers the current realities of Black arts in the creative sector. This one-day mini-festival will both examine the landscape facing Black artists and arts organizations today and actively support those developing or envisioning projects seeking future funding. The winter session is designed to foster sustainable systems that strengthen and support thriving Black-led artistic practices and organizations.

Visioning Workshop for Black Creatives | 2:30pm – 4pm

This interactive workshop supports Black artists and organizations in developing and envisioning projects for future funding. Participants will work with experienced arts consultants in breakout sessions focused on strategy-building, funding pathways, sustainability, and fundraising. The workshop balances big-picture visioning with practical tools participants can immediately apply to their work.

Tickets: $10 each panel/workshop or $20 for the full day. 

Please note: If ticket prices are a barrier to attending, please let us know and we will provide a complimentary ticket.

Meet Our Facilitators:

Facilitators: Nico Taylor, Queen Kukoyi, Allison Rolle, Jillia Cato, and Kevin A. Ormsby

Bios:

a photo of a women wearing jeans shirt looking to her right sideNicole “Nico” Taylor is a performance and digital artist, curator, and scholar whose work dissects social constructions surrounding race and representation and highlights Black bodies using cosplay, storytelling, and graphic design. She holds a Masters of Arts from Concordia University. Nico is also a founding co-lead and collaborative member of Oddside Arts, a Toronto-based cultural arts organization that creates immersive, community-engaged projects using design, technology, and public art to explore cultural memory across the African diaspora.


a photo of a woman in white tank top and pink scarfQueen Kukoyi (they/she) is an award winning, Black, Gender-Queer, Neurodivergent creative technology artist with over 15 years of experience in grassroots advocacy and youth engagement as a community justice practitioner. Rooted in Black feminist thought, Queer theory, contemporary Afrofuturism, Igbo spirituality, and noetic sciences, their work integrates pattern, movement, sound, and augmented reality to explore healing, memory, and Black futures. Queen is Co-Founding Co-Lead of Oddside Arts, a cultural arts collective merging art, technology, and wellness through decolonial, black speculative practices centering Afrodiasporic and 2SLGBTQIAP+ communities.


a black and white photo of a women wearing glassesAllison Rolle (they/them) is an award-winning artist, scholar, and program designer specializing in the composition of projects by and for community. As Research and Project Coordinator at Oddside Arts, Allison plays a senior guiding role on initiatives such as Archiving Black Futures, shaping program design and strategic direction. Allison’s work centers on building “infrastructures of thriving,” cultivating projects that respond to the intersectional, evolving, and multidimensional needs of the communities they serve. Partnering with organizations such as Bridges Niagara, Black Owned 905, and Unsinkable, Allison delivers participatory initiatives that integrate anti-coloniality, cross-sector collaboration, and relationship-building.


BW photo of a womanJillia Cato-Weiler

Known as a lover of the arts, for her compassion and her positive progressive outlook, Trinidad and Tobagonian Jillia Cato is not only a dancer, singer, actress and Production Manager but also an advocate for artists equality and equity in all of her endeavours.

While based in Trinidad until 2019, Jillia was a international touring dancer for major soca bands Machel Montano and Kes the Band for 12 years, Stage Manager for the National Theatre Arts Company of Trinidad and Tobago and led a Children’s Theatre Camp catering to over 300 children for 3 years under the auspices of the Patrons of the Arts Foundation in Trinidad and Tobago. She also worked in film, featured in numerous music videos and video ads, was nominated for Best Crossover Artist by the Trinidad and Tobago Caribbean Music Awards (2017) and released her Debut album ‘Black Cinderella’ in December 2019.

Since moving to Toronto in 2020 she has worked with not only KasheDance and Cultural Pluralism in the Arts Movement Ontario (CPAMO) but also as a dance artist with Kaeja d’Dance, Wind in the Leaves Collective (WITL), Jumblies Theatre, Luminato, Hart House at University of Toronto, Sensorium at York University and Etobicoke School of the Arts and Kinetic Dance (Halifax, NS). You can find her most recent digital works in “In Case of Emergency” Kaeja d’ Dance (dance artist), ‘Searching for Eastman Series’ – WITL (dance artist), ‘Covid Creations Film’ – WITL (Production Manager), and ‘Konversations Series’ – KasheDance (Project Coordinator).


A photo of a man in a blue suit, colourful shirt and light blue beadsKevin A. Ormsby, Co-Director, Curator of Programming and Engagement, CPAMO

At The Intersections of Culturally Responsive Art, Space / Place Making and Communities, Kevin A. Ormsby animates KOLLECTIVE NARRATIVES centering human interactions into artmaking and advocacy with an authenticity defined by those with whom he intersects.

Arts Sector Focused: Kevin is Co- Director / Curator of Programming and Engagement at Cultural Pluralism in the Arts Movement Ontario (CPAMO), he delivers Equity, Diversity and Inclusivity (EDI) programming and training for clients including the National Ballet of Canada, Canada’s National Ballet School, and Luminato Festival and others. He’s on the Boards of Dance Collection Danse, Toronto Alliance for the Performing Arts, and previously Canadian Dance Assembly, Prologue to the Performing Arts, and Nia Centre for the Arts, where he was Chair of Canada’s first professional multi-disciplinary centre for African-Canadian art. Dancer, Choreographer and Artistic Director of KasheDance, Kevin A. Ormsby has performed in Canada, the United States, and the Caribbean. He has been featured in works by Marie-Josée Chartier, Allison Cummings, Patrick Parson, Ronald Taylor, Ron K. Brown, Menaka Thakkar, Garth Fagan, Liz Lerman, Bageshree Vaze, Lemi Ponifasio, Christopher Walker, Denise Fujiwara among others.

Nationally Awarded: Mr. Ormsby is Theatre Centre’s Patrick Connor Award recipient (2023), Nominee for the Johanna Metcalf Performing Arts Prize 2023 and finalist for the Arts Prize 2021, he is a recipient of Canada Council for the Arts’ Victor Martyn Lynch – Staunton Award, a Chalmers Fellowship, and was a Toronto Arts Council Cultural Leaders Fellow.

In Education: Kevin has worked at Centennial College’s Dance Performance Program, has been a Guest Artist at Philip Sherlock Centre for the Creative Arts – University of the West Indies (Mona), University of Wisconsin – Madison, Northwestern University, and the University of Texas – Austin and Edna Manley College of the Visual and Performing Arts (Jamaica). His research and creative practice exist in constant interrogation and navigation of Caribbean and African Diasporic cultural practices towards a methodology of investigation in research, creation and presentation.


Our Funders & Supporters:

Cultural Pluralism in the Arts Movement Ontario (CPAMO) is supported by the Canada Council for the Arts, Canadian Heritage, Ontario Arts Council, Toronto Arts Council, the Ontario Ministry of Citizenship and Immigration, Sun Life, Azrieli Foundation, Metcalf Foundation, City of Toronto, and Barrett and Welsh.