Join us for a day of advocacy and artist showcases on May 21, 2025

On an abstract purple background three photos of a panel, dance performance and music performance with colourful lines near them.

The Gathering Divergence
Multi-Arts Festival & Conference Spring 2025 
Now and for the Future: Steps Towards Dismantling Inequities in the Arts 
May 21-23, 2025 
Online and at East End Arts (Toronto, ON) 

The Gathering Divergence Interdisciplinary Festival & Conference is a festival and conference with a specific focus on Indigenous, racialized, deaf, disabled and mad, women and other historically – marginalized arts communities. Held over 3 days, GDMAF/C features performances, literary readings, visual arts exhibition, panels, workshops and creative investigations from diverse practices. Join  us online on May 21 and May 22-23 online and in-person at East End Arts (St. Matthew’s Clubhouse, 450 Broadview Avenue, Toronto, ON M4K 2N3).

Wednesday, May 21st schedule:

10:05 am  Land Acknowledgment by Cara Loft and Welcome

10:30 am  Artist Showcase: Reequal Smith

10:45 am  Who’s Talking About Advocacy in the Arts?: It’s Continued Importance (in partnership

                   with Canadian Arts Coalition)

12:00 pm  Artist Showcase: Laurie Dumont-Bal

12:15 pm  Break

12:30 pm  Artist Showcase: Ana Luísa Ramos & Eric Taylor Escudero

12:45 pm  Artist Showcase: Camille Fontaine

1:00 pm   Closing Remarks

Tickets are $15 general admission $ $5 accessibility pricing. 

View the full schedule here!

About the sessions: 

Who’s Talking About Advocacy in the Arts?: It’s Continued Importance panel in partnership with Canadian Arts Coalition 

Advocacy arts can be a demanding and tricky conversation and many artists and arts organizations consider it an added challenge in a world where funding is dwindling, and the need to create art is ever present. The panel will discuss why advocacy is important, and provide solutions and examples to how artists and arts organizations can continue to advocate for their practice.

Moderator: Andrew Walker
Panelists:  Karla Etienne and Barbora Racevičiūtė


Bios: 

Andrew Walker
Andrew Walker is Director, Arts, Culture and Procurement for PAA. Based in Ottawa, Andrew has previously worked for Members of Parliament in both government and opposition, including the former Parliamentary Secretary to the Minister of Canadian Heritage. Andrew has also worked in advocacy for over thirty arts and culture organisations, ranging in interests from arts infrastructure funding and grant applications to cultural policies, such as broadcasting and copyright.

Andrew is also a working professional musician, having sung for over fifteen years with Grammy- and Juno-nominated groups around Canada, Ontario, and abroad. He is the former President of Choirs Ontario, the arts service organisation which represents over 1 000 choirs, musicians, and administrators across the province of Ontario, and currently sits on the board of the Network of Independent Cinema Exhibitors (NICE).


Karla Etienne 
A distinguished graduate in cultural management (HEC Montreal) and environmental sciences (UQAM), Karla Etienne, a marathon runner in every sense of the word, has travelled the plurality of roads and pathways which lead to a deeper and more accurate appreciation of what today constitutes the strengths and the potential of our artistic and cultural community in Canada. While being more generally associated with Nyata Nyata, the dance arts organization she has led alongside its founder, Zab Maboungou, since 2003, Karla Etienne has, in fact, unfailingly devoted herself over the years to advancing the cause of inclusion – through better representation – in the arts, at all levels of practice, management and dissemination, within the institutions and organizations mandated to work in this area, including, among others, the Regroupement québécois de la danse, the Conseil des arts de Montréal and the Conseil des arts et lettres du Québec. Drawing also on her experience acquired within various community organizations (including ENvironnement JEUnesse, Regroupement des femmes en environnement, and Maison d’Haïti), Karla Etienne uses her skills as a director, coordinator, writer and facilitator to advance Canada’s artistic and cultural development.(Photo Credits : Mathieu Gaudreault) 

Barbora Racevičiūtė
Barbora Racevičiūtė is the National Director of the Independent Media Arts Alliance. Born in Vilnius, is lives between Montréal and Toronto. She earned a Bachelor’s degree from the University of Toronto and an MFA from the Ontario College of Art and Design. She is an independent curator and co-runs the curatorial collective shell.

 

About the artists: 

Reequal Smith

Reequal Smith, Founder and Artistic Director of Oshun Dance Studios in Prince Edward Island, is a multidisciplinary artist originally from The Bahamas. She seamlessly blends her Bahamian heritage with Canadian dance culture, creating a vibrant fusion of Afro-Caribbean movement, contemporary dance, and funk jazz. With over a decade of performance experience and a diploma from Holland College’s School of Performing Arts, Reequal is also a dedicated arts leader. She serves as the Program and Events Coordinator for the Black Cultural Society of PEI and the Administrator/Outreach Coordinator for the Canadian Women of Colour Leadership Network. Her leadership extends to boards like The Fringe Festival, Fusion Charlottetown, and Kinetic Studio Dance in Halifax. Reequal’s work spans festivals, music videos, documentaries, and self-produced shows, earning her the 2025 Kerri Wynne MacLeod Women of Impact Award in the Arts. As a fire dancer, choreographer, and mentor, she champions diversity, empowering artists and youth in PEI’s arts scene. (Photo credit: Stewart MacLean)

Laurie Dumont-Bal

Laurie Dumont-Bal is a Montreal-based biracial theatre artist with Indian and French-Canadian settler origins. She works as a playwright, director, playback theatre artist and theatre teacher.

In 2024, she worked as a playwright for “Something Will Survive/Quelque Chose Survivra”, a bilingual verbatim theatre play on climate change. The project, led by Yvette Nolan and Joel Bernbaum, was created by a team at Imago Theatre in collaboration with wâhkôhtowin Project.

Since 2023, Laurie’s play “Here” has received support from the Playwrights Guild of Canada’s Mentorship Program and Craft Bites International Program, Imago Theatre’s Nested Circles artist residency, and Teesri Duniya’s Fireworks Playwriting Development Program. In April 2024, Laurie directed a staged public reading for “Here”.

Laurie has directed more than fifteen musicals at the Segal Centre Academy, where she also worked as the lead book writer for three original musicals named “Silent Knight”, “Our First Day” and “Magic All Around Us”.

Ana Luísa Ramos & Eric Taylor Escudero

Ana & Eric are a Brazilian duo based in St. John’s, Newfoundland & Labrador, blending Brazilian bossa nova and North American indie-folk. They have performed across Brazil, Europe, and Canada, gaining international recognition.

In 2020, they released two singles, Hope and Lights My Way, followed by their debut Ana & Eric EP, earning a 2021 ECMA nomination and three MusicNL nominations. Their 2023 album, Our House From Here, along with singles I Can See Our House From Here and Manhã de Abril, received acclaim in Brazil, Portugal, and Canada. The album was nominated for Global Recording of the Year at the 2024 ECMA and received three 2023 MusicNL nominations.

Ana Luísa Ramos, the duo’s vocalist and multi-instrumentalist, also won Jazz Artist of the Year and Global Artist of the Year at the 2024 MusicNL Awards, further cementing their impact on the international music scene.

Camille Fontaine

Camille Fontaine is a multi-disciplinary creative from London, England. She utilises digital photographic techniques to document society, with authentic narratives and inclusive representation at the core of her projects.
Camille’s practice explores themes surrounding the shifting notions of identity and societal belonging, by combining her media background and interest in centering underrepresented voices. Her work focuses on expressing the human experience through a multifaceted and intersectional gaze; to decolonise pre-existing approaches to creativity and unpick the frameworks of ‘normative’ identity narratives within media, design and cultural arts.

The HOME Series (2017 – present) is an ongoing project documenting concepts of sanctuary from within the global African/ Black diaspora, by capturing participants in spaces that they currently inhabit. The project explores shifting notions on identity and social belonging through location. It also investigates freedom of movement, ownership, migration and citizenship in relation to blackness in society.
The project is always in production, seeking stories to capture both locally and globally. Get in contact to take part.

 

 

Join us for a day focused on Wellness and Well-being for IBPOC Artists on May 22, 2025

On an abstract purple background three photos of a panel, dance performance and music performance with colourful lines near them.

The Gathering Divergence
Multi-Arts Festival & Conference Spring 2025 
Now and for the Future: Steps Towards Dismantling Inequities in the Arts 
May 21-23, 2025 
Online and at East End Arts (Toronto, ON) 

The Gathering Divergence Interdisciplinary Festival & Conference is a festival and conference with a specific focus on Indigenous, racialized, deaf, disabled and mad, women and other historically – marginalized arts communities. Held over 3 days, GDMAF/C features performances, literary readings, visual arts exhibition, panels, workshops and creative investigations from diverse practices. Join  us online on May 21 and May 22-23 online and in-person at East End Arts (St. Matthew’s Clubhouse, 450 Broadview Avenue, Toronto, ON M4K 2N3).

Thursday, May 22 Schedule: 

10:05 am     Land Acknowledgment and Welcome 

10:15 am     Keynote 

10:30 am     Session: Wellness for IBPOC Artists and Arts Organizations in a Sector of Continued
                     Inequities

11:45 am      Artist Showcase: Neena Jayarajan

12:00 pm     Break 

12:15 pm     Weaving Workshop facilitated by Ebru Winegard

1:15 pm       Artist Showcase: Olga Barrios 

1:30 pm       Session: Stories / Strategies to Address Aging as an IBPOC Artist: What do we need                         to Consider?

2:45 pm       Artist Showcase: BaKari Lindsay

View the full schedule here!

About the sessions: 

Wellness for IBPOC Artists and Arts Organizations in a Sector of Continued Inequities 
There are increasing conversations about supporting artists in the arts. What are the many perspectives around wellness in the arts? What strategies can organizations and artists consider in supporting and envisioning the importance of embedding care within the Arts. This panel will look specifically at the larger conversation around well-being and care within the art centre, but it will also focus on the wellness and well-being of IBPOC artists within the sector that continues to marginalize and visualize the work of impact, artists, and arts organizations.

Stories / Strategies to Address Aging as an IBPOC Artist: What do we need to Consider? 
We are aware of the benefits of the arts on ageing, yet rarely do we talk about what it means for artists themselves to age. What are the challenges and opportunities for artists as they age, and navigate both their careers and lives in a society that seems to celebrate youth over maturity? From financial security and retirement planning to healthcare and evolving creative identity, aging artists have many things they must consider. Join us for a lively conversation, stories and strategies as mature artists reflect about retiring, and age in the arts.

About the workshops: 

Weaving Workshop facilitate by Ebru Winegard 
Weaving, an ancient practice shared by cultures worldwide, embodies interconnectedness—each thread contributing to a larger whole. In this workshop, participants explore the act of weaving as a symbol of dismantling inequities in the arts, interlacing individual narratives into a shared tapestry.

Using diverse looms and natural fibers, attendees will create their own small woven pieces. All materials are eco-friendly and ethically sourced, reinforcing the importance of sustainability alongside equity in the arts. Each participant keeps their woven piece, and those willing can contribute to a larger collaborative tapestry, symbolizing our interconnected struggles and hopes for the future of the arts.

Ebru Winegard is a multidisciplinary artist. Ebru is a graphic designer, visual artist, filmmaker, and art educator. She presented a solo exhibition at the 2024 Contact Photography Festival and has participated in over 30 national and international group exhibitions and festivals. Her short film HandMade Paper Font has been screened in Germany, England, Bosnia, USA, and Canada. It was an Audience Choice Award finalist at the UNCG International Sustainability Shorts Film Competition.

In 2020, her design for Creative Mornings Toronto won the CMTO virtual background design contest. She has recently earned the Ontario Culture Days 2024 “Spotlight People’s Choice Award”.

Ebru’s art is rooted in her family’s creative heritage, with members skilled in painting, music, and crafts. Her works are inspired by culture, nature, and community.

Her projects often focus on community-oriented initiatives. Since migrating to Canada in 2018, Ebru has participated in and created numerous projects. Her latest endeavor, Looms of Heritage, is a weaving workshop series designed for Turkish newcomers affected by the recent earthquakes, showcasing her commitment to community building and cultural preservation.

About the artists: 

Neena Jayarajan is an independent dance theatre artist with extensive experience in Bharatanatyam and Odissi dance techniques. Her primary training was under the tutelage of Dr. Menaka Thakkar, and Sujatha Mohapatra. She served as the Assistant Artistic Director of Menaka Thakkar Dance Company for 7 years, as well as assistant teacher at Nrtyakala for 20 years. She currently is an Associate Artist at Nova Dance involved in both creative and organizational roles. Neena completed her MA in Dance from York University where her research was a comparative analysis of the Bharatanatyam Aramandi to the Ballet Plie. Neena was a 2016 recipient of the Chalmers Arts Fellowship Grant which fueled 3 contemporary projects using Bharatanatyam including this work Tejas. She made her theatrical debut in Theatre Smith’s Gilmour’s Metamorphosis in 2023. Neena is currently on her own choreographic journey of exploration using her classical roots to fuel a contemporary outlook.

Olga Barrios is multi-award choreographer and dancer for more than 25 years, also an arts educator and the co-founder and co-artistic director of Vanguardia Dance Projects since 2008. MFA at York University of Toronto. Olga has collaborated with dance, theater, musical and multidisciplinary projects in Canada, USA and Colombia with diverse companies and troupes. As dance teacher she has worked in Montreal, Hamilton, Kitchener, Toronto, San Francisco, New Jersey and varied cities in Colombia.  Olga is original from Bogotá and currently working with exchange projects between Colombia and Canada. Her more recent works include – choreographer and performer for “Dreaming in Blue” (Underwater Dance Film), “Hybrid Women” (Vanguardia Dance Projects creation), and currently in development “Memories of Water” with Latitude-s Collective and “Conversations” a collaboration between Aanmitaagzi and Vanguardia.

BaKari Ifasegun Lindsay is a Trinidad-born, Canadian dancer, choreographer, researcher, and author who blends African and Caribbean traditions with contemporary movement aesthetics. With over three decades of experience, he developed A-Feeree – The Physical Language, a training method rooted in Africanist principles. A former performer in the original Canadian cast of Disney’s The Lion King, BaKari has danced with the Danny Grossman Dance Company and created choreographic works for companies including Philadanco (The Philadelphia Dance Company). His choreography has been presented internationally, and his acclaimed solo work Ancestral Calling earned him a Dora Mavor Moore Award nomination. BaKari is the author of In Healing Steps – A Dance with Destiny, a reflective memoir on his personal and artistic journey. A dedicated educator, he has taught at Toronto Metropolitan University, York University, and various institutions across Canada and the Caribbean. BaKari continues to shape and uplift the global dance landscape through performance, pedagogy, and cultural advocacy.

SpiritYouAll is a dance performance drawn from my memoir In Healing Steps: A Dance with Destiny, a reflective journey of survival, spirituality, and the reclamation of self through Africanist cultural knowledge. This performance is a physical manifestation of my path through cancer diagnosis and remission, shaped by ancestral wisdom, ritual, and the embodied practice of A-Feeree—The Physical Language, a methodology I developed to articulate African diasporic movement systems.

In alignment with the conference theme Now and for the Future: Steps Towards Dismantling Inequities in the Arts, SpiritYouAll offers a deeply personal and culturally specific narrative that confronts the ongoing erasure of African diasporic voices in contemporary performance spaces. It asserts that healing—both individual and collective—is political, and that to dismantle inequities in the arts, we must first make space for stories that live at the intersection of identity, illness, and inherited knowledge.

This work does not just represent my personal transformation; it invites the audience into a ritual of witnessing, where movement becomes testimony, and survival becomes resistance. SpiritYouAll challenges Western-centric models of dance by privileging embodied storytelling rooted in spirituality, cultural memory, and Black survivance. In doing so, it offers a vision of an artistic future that is inclusive, affirming, and deeply connected to ancestral truths.

Toward Pluralism: Organizational Development sessions on May 23, 2025

On an abstract purple background three photos of a panel, dance performance and music performance with colourful lines near them.

The Gathering Divergence
Multi-Arts Festival & Conference Spring 2025 
Now and for the Future: Steps Towards Dismantling Inequities in the Arts 
May 21-23, 2025 
Online and at East End Arts (Toronto, ON) 

The Gathering Divergence Interdisciplinary Festival & Conference is a festival and conference with a specific focus on Indigenous, racialized, deaf, disabled and mad, women and other historically – marginalized arts communities. Held over 3 days, GDMAF/C features performances, literary readings, visual arts exhibition, panels, workshops and creative investigations from diverse practices. Join  us online on May 21 and May 22-23 in-person at East End Arts (St. Matthew’s Clubhouse, 450 Broadview Avenue, Toronto, ON M4K 2N3).

Toward Pluralism: Organizational Development – Fri. May 23 schedule:

10:05 am  Land Acknowledgment and Welcome 

10:15 am  Keynote by Kshama Patel and Wendy Rading, Etobicoke Arts 

10:30 am  Now and for the Future of the Arts Sector: Equity, Diversity and Inclusivity Towards
                   Pluralism (EDIP) in Action session

11:45 am  Moving Together/Arriving Together (MT/AT) Toolkit workshop 

12:45 pm  Break 

1:00 pm   Artist Showcase: Roger Sinha

1:30 pm   Advancing Equity, Diversity and Inclusion: A Reunion of CPAMOPOC Organizations

                  session

2:30 pm   Artist Showcase: Patrick Walters

2:45 pm   Wildsoma Gathering in Motion: Embodied Practices for Collective Thriving workshop 
                 Line Drawing Creative Process: Alek Phan

4:15 pm    Artist Showcase: Robert Ball

About the sessions: 

Now and for the Future of the Arts Sector: Equity, Diversity and Inclusivity Towards Pluralism (EDIP) in Action
Is there still a need for acronyms EDI, pluralism, accessibility, and inclusion? Seems like Passy conversations to have within the arts sector. This discussion will look at the need to continue the conversation around equity, diversity, and inclusion in the arts. It will assess the efficacy of EDI strategies to date and begin to strategize for the ongoing EDI work in the arts sector, which benefits all contributors to the sector.

Advancing Equity, Diversity and Inclusion: A Reunion of CPAMOPOC Organizations
Over almost the past 10 years, CPAMO has supported the education of Arts organizations in developing their education and strategies in Pluralism and Organizational Change (CPAMOPOC) with 74 organizations. This session will be specific to the organizations that have developed and been educated through the process of pluralism and organizational change. This is the first convening of the 74 organizations that have been impacted by this particular program with CPAMO. This session will include strategies for continuing the work within organizations, explorations of shared practice, and envisioning partnerships through organizations in the future. Organizations interested in joining CPAMOPOC 6 are encouraged to email education[@]cpamo.org with an expression of interest to join this session.

About the workshops: 

Moving Together/Arriving Together (MT/AT) Toolkit 
The Decolonising Creative Partnerships Toolkit was developed in collaboration with artists and organisations connected to the Arrivals Legacy Project community.  Our exploration is intentional, evolutionary, and creative. The tools found here are creative seeds, or in-process artistic works across mediums, planted to spark discourse amongst artists responding to prompts under the six themes: https://arrivalslegacy.com/knowledge-base/mtattoolkit/

We are Arrivals Legacy Project
We guide, we gather and we challenge artists and creators to access and re-route their creative impulses by attuning to the wisdom of their ancestral stories.
We are here to ignite the joy of deepening creative collaborations that amplify and re-centre the rich cultural legacy of BIPOC artistry.

Wildsoma Gathering in Motion: Embodied Practices for Collective Thriving
Join Wild Soma as we explore embodied practices that centre creativity, connection and care. In these times of uncertainty and dissonance, this session offers practices that support and nurture an embodied, creative and responsive self, aligned with thriving in reciprocity with other beings. We will explore together across cultures, generations and diversity of practices, sharing intentional time and space, extending possibilities for learning from one another in movement, in embodied voicework, and in dialogue.

A photo of 4 women standing in a garden

About Wild Soma
Wild Soma was formed in 2021 to support the research and practice of embodiment as a world making process. Core members Julia Aplin, Shannon Litzenberger, Andrea Nann and Roula Said are established dance artists, performance makers, movement facilitators and community mobilizers. Their shared interest in embodiment practice as a world-making proposal is the basis of their collaboration. Interested in animating the self-in-the-world relationship, Wild Soma is a platform to research, design, prototype and experiment with interventions that centre new ways of being through aesthetic embodied participatory experience. Concerned with the state of climate emergency and inspired by this time of important social change and growing interconnection, Wild Soma aims to recast the body as self, in specific relationships to the social, cultural, temporal and planetary ecosystems we live within. By illuminating a sense of interconnectedness within the living world, Wild Soma transforms aesthetic processes into a collective world-making practice. Wild Soma’s advisory circle includes Philip Davis, Danielle Denichaud, and Michelle Silagy.

About the artists:

Roger Sinha

Roger was born in London, England, to an Armenian mother and an Indian father. In 1968, his family immigrated to Saskatoon, Saskatchewan. He graduated from the School of the Toronto Dance Theatre in 1986, moved to Montreal in 1989, and founded Sinha Danse in 1991.

As artistic director and choreographer, Roger developed a distinctive hybrid style rooted in his Indian heritage and contemporary dance. His 1991 solo Burning Skin, addressing racism, remains a powerful and memorable work.

Over the years, more than 30 of his productions have toured across Canada and internationally. His choreography blends Bharata Natyam—a classical dance from Southern India—with martial arts and contemporary movement, creating a unique and original language.

Later in his career, he turned to music and spoken word. Under the name D3 EEZY—short for Didgeridoo, Dance, and Drum—he explored the fusion of sound and movement in new, innovative ways.

Patrick Walters
Patrick Walters is a recording artist and arts educator, originally from St. Kitts & Nevis, who is dedicated to storytelling. His work is a constant reminder to us to never give up on our own hopes and dreams, even in the face of the harsh realities of the world we live in. 

After establishing himself as an arts educator and public speaker (York U 2015, TedxUTSC 2016, Toronto Public Library 2016 -2019), Patrick then released his debut album, The OffShore Account (October 2018). 

He then performed at the Sony Centre for the Arts (November 2019) as a part of When Brother’s Speak, a showcase of some of the premiere Black male poets in North America. He also went on to release his 2nd studio album, “Human Nature” in November of 2022. Throughout this time, Patrick has also been focused on his arts education career as well as sharing his works of poetry on stages across North American cities and the Caribbean.

His ideals of perseverance and hope in the face of adversity have helped him to this point. A reminder that the sky’s the limit for us all. 

Alek Phan Trúc
Alek Phan Trúc creates art that explores cultural heritage, identity, and nature. Their work uses cultural totems as a metaphor for time, bridging past, present, and future. They hold a B.A in Cultures and Literature, and postgraduate certificates in Arts Education, Community Engagement, and Digital Performance. Their work has been exhibited across Vietnam and Canada, and they have facilitated workshops internationally.

Line Drawing Creative Process: 
Alek Phan Trúc creates a continuous one-line live drawing of diverse faces—representing people we encounter in life, from marginalized voices to those in positions of power. The unbroken line signifies the interwoven nature of our experiences in the arts, while the variations in detail or prominence can highlight systemic inequities—who gets to be fully seen, who fades into the background, and who is missing entirely.

Robert Ball
Robert Ball (He / Him) is a singer, multi-hyphenate artist and advocate “a voice that’s smooth as silk” – BroadwayWorld.com. His Theatre credits include; Evita, Jospeh, Chicago, Songs For A New World and Treemonisha. Robert appeared as principle character ‘Arthur’ in the movie ‘Christmas On 5th Ave’. He was featured in the Stratford Festivals Streaming Cabaret series “Canadian Mix-Tape” and “Up Close & Musical”. Robert is a Vocal Coach and Mentor with NIA Centre for the Arts and Vocal Tutorial Coach at Sheridan College, and the recipient of the inaugural ‘Black Shoulders Award’. 

As a solo artist Robert has opened for Mya, Big Freeda and toured Pride festivals – Toronto, Kingston – Jamaica, Brooklyn – NY, Washington – DC, London – Ontario and toured with the ‘Freedom Cabaret’ and ‘The Legends of Motown”.

Robert has produced; ‘JOY’ a livestream concert featuring; Gary Beals, Tafari Anthony & R.Flex – ‘FOPOV’ – podcast hosted by Hollywood Jade – currently; Tweetations Musical Review. “