2025 Publication Launch and Holiday Party

 On the top, on a purple background. Text: Launch of Gathering Divergence Arts Journal & CPAMO Holiday Party. A collage of a photo of people at an event and a drawing of women’s faces on both sides of the photo. At the bottom, On a purple background, text: November 27, 2025 | 4:30pm - 6:30pm

Cultural Pluralism in the Arts Movement Ontario (CPAMO) Announces the Launch of Gathering Divergence – A Journal Centering IBPOC Perspectives in Canadian Arts Practices

Toronto, ON — [November 9th, 2025] —The arts sector in Canada is undergoing profound transformation—especially among Indigenous, Black, and People of Colour (IBPOC) creatives. To mark this moment, Cultural Pluralism in the Arts Movement Ontario (CPAMO) proudly launches Gathering Divergence – A Journal Centering IBPOC Perspectives in Canadian Arts Practices.

This publication is a vital response to the historical and ongoing erasure of IBPOC contributions to Canadian arts. Featuring essays, reflections, and creative works from artists, scholars, and cultural leaders, Gathering Divergence documents the lived experiences and practices reshaping the nation’s artistic landscape.

“This journal amplifies the creative intelligence and leadership of IBPOC artists who have long shaped the Canadian arts sector,” says Kevin A. Ormsby, Co-Director/Curator of Programming and Engagement at CPAMO. “It honours their legacies while inviting new perspectives that advance equity, inclusion, and innovation.”

Many contributors are also participants in The Gathering: Divergence Multi-Arts Festival and Conference, which complements the journal. Their work reflects the subtitle, “Shifting Perspectives and Evolving Ways of Working in the Arts,” emphasizing how artists engage with social impact, cultural relevance, and innovation.

Through an intergenerational lens, the journal unites IBPOC practitioners whose work challenges assumptions, celebrates legacy, and envisions transformative futures for the arts in Canada. By centering Indigeneity and creativity on Indigenous lands, Gathering Divergence highlights the deep links between history, place, and artistic expression.

Our goal is to keep cultivating the arts sector—creating space, opportunity, and understanding for generations to come” adds Erin Jones, Convenor/Co-Director Curator of Transformational Change.

The first issue offers a critical and creative resource for artists, educators, policymakers, and arts organizations seeking deeper engagement with IBPOC perspectives in Canadian arts.

About the Journal

This publication reflects CPAMO’s ongoing efforts to highlight and celebrate the methodologies, insights, and lived experiences of IBPOC creatives. It seeks to interrogate the cultural significance and social currency of IBPOC artists while amplifying their narratives and reaffirming their sustained contributions to the Canadian arts sector.

This journal amplifies the creative intelligence and leadership of IBPOC artists who have long shaped the Canadian arts sector,” says Kevin A. Ormsby | Co-Director / Curator of Programming and Engagement. “It honours their legacies while inviting new and evolving perspectives that move the sector toward equity, inclusion, and innovation. Our goal is to continue —cultivating space, opportunity, and understanding for generations to come.

Invitation

You are invited to celebrate the launch of our new publication: Gathering Divergence – A Journal Centering IBPOC Perspectives in Canadian Arts Practices and our Holiday Party — an evening of reflection, creativity, and community connection.

Date: Thursday, Nov. 27, 2025 | 4:30pm-6:30pm

Location: Rooftop Meeting Space
30 Merchants’ Wharf, Toronto, ON M5A 0L2

Accessibility: The venue is accessible by wheelchair. We aim to have a Fragrance-Free Event.

The event is free but RSVP is required!
Light refreshments will be available!

Register online on Eventbrite

About CPAMO

Cultural Pluralism in the Arts Movement Ontario (CPAMO) works to advance pluralism, equity, and inclusive practices within the arts. Through research, programming, and partnerships, CPAMO supports IBPOC artists and arts organizations in creating meaningful systemic change across Canada’s cultural landscape.

For media inquiries, interviews, or access to the journal, please contact:

Victoria Glizer
Curator of Communications
Cultural Pluralism in the Arts Movement Ontario (CPAMO)
info@cpamo.org | www.cpamo.org



Federal Budget 2025 and Arts and Culture

Canadian Arts Coalition's Logo

CAC Welcomes Steps Forward in Budget 2025

Ottawa, ON — The Canadian Arts Coalition  (CAC) applauds elements of Budget 2025, which includes increased support for cultural and media programs, and stated recognition of the importance of arts, culture, and heritage to Canada’s economy, social fabric and identity.

The Canadian Arts Coalition works on behalf of artists and cultural organisations to increase investment in the sector and to advise the government on policies that will positively impact both the sector and all of Canada. In the past two years, that focus has been a recommendation on two main investments: the Canada Council for the Arts and the Department of Canadian Heritage. Recently, the Coalition’s Campaign for Culture inspired over 50,000 letters to the government in support of that ask for new investment and no cuts to the Council, and we are pleased to see that the Government heard that message.

The CAC welcome the inclusion of new and renewed investments in many vital programs that serve artists and cultural organizations across Canada, such as the Canada Music Fund, Building Communities through Arts and Heritage, and the Canada Arts Presentation Fund. Communities will benefit from the increased investment in Heritage’s Celebration and Commemoration Program to support Canada Day celebrations, and Canadians will benefit from the opportunity provided through the Canada Strong Pass to visit their art galleries and museums. The investment in Canada Summer Jobs will positively impact many cultural organizations across the country as well as providing essential employment opportunities for young Canadians. The Coalition also applauds the various important investments in media through the Canada Media Fund, the National Film Board, Telefilm Canada and the CBC, all committed to helping tell the stories of Canada. These targeted investments will ensure that many artists, ensembles, festivals, and cultural institutions across the country receive the predictable funding they require to plan and thrive.

The Coalition also recognizes that the Liberal government has acknowledged the importance of individual artistic creation through proposed changes to the Copyright Act to include an Artist’s Resale Right. This ensures that Canadian visual artists benefit from future sales of their work.

While the CAC is pleased with the demonstrated commitment to the Arts and Culture sector there is still work to be done. Budget 2025 does not yet adequately address the need for significant new investment in the Canada Council for the Arts. The Canadian Arts Coalition will continue to work on behalf of its members and the sector to ensure that the Council’s role is recognized with appropriate funding for the benefit of all Canadians.

However, the recognition of the arts expressed in this budget, along with the listed investments demonstrate that arts and heritage remain part of the national conversation, which we deeply welcome, and offer a foundation upon which further commitments can be built. We congratulate the Government on the positive initiatives in Budget 2025, and we commit to working constructively with ministers and parliamentary committees to continue to strengthen arts and culture in Canada.

You can see the full budget here and on the relevant sections on the CAC site.

 

Join us for a day of advocacy and artist showcases on May 21, 2025

On an abstract purple background three photos of a panel, dance performance and music performance with colourful lines near them.

The Gathering Divergence
Multi-Arts Festival & Conference Spring 2025 
Now and for the Future: Steps Towards Dismantling Inequities in the Arts 
May 21-23, 2025 
Online and at East End Arts (Toronto, ON) 

The Gathering Divergence Interdisciplinary Festival & Conference is a festival and conference with a specific focus on Indigenous, racialized, deaf, disabled and mad, women and other historically – marginalized arts communities. Held over 3 days, GDMAF/C features performances, literary readings, visual arts exhibition, panels, workshops and creative investigations from diverse practices. Join  us online on May 21 and May 22-23 online and in-person at East End Arts (St. Matthew’s Clubhouse, 450 Broadview Avenue, Toronto, ON M4K 2N3).

Wednesday, May 21st schedule:

10:05 am  Land Acknowledgment by Cara Loft and Welcome

10:30 am  Artist Showcase: Reequal Smith

10:45 am  Who’s Talking About Advocacy in the Arts?: It’s Continued Importance (in partnership

                   with Canadian Arts Coalition)

12:00 pm  Artist Showcase: Laurie Dumont-Bal

12:15 pm  Break

12:30 pm  Artist Showcase: Ana Luísa Ramos & Eric Taylor Escudero

12:45 pm  Artist Showcase: Camille Fontaine

1:00 pm   Closing Remarks

Tickets are $15 general admission $ $5 accessibility pricing. 

View the full schedule here!

About the sessions: 

Who’s Talking About Advocacy in the Arts?: It’s Continued Importance panel in partnership with Canadian Arts Coalition 

Advocacy arts can be a demanding and tricky conversation and many artists and arts organizations consider it an added challenge in a world where funding is dwindling, and the need to create art is ever present. The panel will discuss why advocacy is important, and provide solutions and examples to how artists and arts organizations can continue to advocate for their practice.

Moderator: Andrew Walker
Panelists:  Karla Etienne and Barbora Racevičiūtė


Bios: 

Andrew Walker
Andrew Walker is Director, Arts, Culture and Procurement for PAA. Based in Ottawa, Andrew has previously worked for Members of Parliament in both government and opposition, including the former Parliamentary Secretary to the Minister of Canadian Heritage. Andrew has also worked in advocacy for over thirty arts and culture organisations, ranging in interests from arts infrastructure funding and grant applications to cultural policies, such as broadcasting and copyright.

Andrew is also a working professional musician, having sung for over fifteen years with Grammy- and Juno-nominated groups around Canada, Ontario, and abroad. He is the former President of Choirs Ontario, the arts service organisation which represents over 1 000 choirs, musicians, and administrators across the province of Ontario, and currently sits on the board of the Network of Independent Cinema Exhibitors (NICE).


Karla Etienne 
A distinguished graduate in cultural management (HEC Montreal) and environmental sciences (UQAM), Karla Etienne, a marathon runner in every sense of the word, has travelled the plurality of roads and pathways which lead to a deeper and more accurate appreciation of what today constitutes the strengths and the potential of our artistic and cultural community in Canada. While being more generally associated with Nyata Nyata, the dance arts organization she has led alongside its founder, Zab Maboungou, since 2003, Karla Etienne has, in fact, unfailingly devoted herself over the years to advancing the cause of inclusion – through better representation – in the arts, at all levels of practice, management and dissemination, within the institutions and organizations mandated to work in this area, including, among others, the Regroupement québécois de la danse, the Conseil des arts de Montréal and the Conseil des arts et lettres du Québec. Drawing also on her experience acquired within various community organizations (including ENvironnement JEUnesse, Regroupement des femmes en environnement, and Maison d’Haïti), Karla Etienne uses her skills as a director, coordinator, writer and facilitator to advance Canada’s artistic and cultural development.(Photo Credits : Mathieu Gaudreault) 

Barbora Racevičiūtė
Barbora Racevičiūtė is the National Director of the Independent Media Arts Alliance. Born in Vilnius, is lives between Montréal and Toronto. She earned a Bachelor’s degree from the University of Toronto and an MFA from the Ontario College of Art and Design. She is an independent curator and co-runs the curatorial collective shell.

 

About the artists: 

Reequal Smith

Reequal Smith, Founder and Artistic Director of Oshun Dance Studios in Prince Edward Island, is a multidisciplinary artist originally from The Bahamas. She seamlessly blends her Bahamian heritage with Canadian dance culture, creating a vibrant fusion of Afro-Caribbean movement, contemporary dance, and funk jazz. With over a decade of performance experience and a diploma from Holland College’s School of Performing Arts, Reequal is also a dedicated arts leader. She serves as the Program and Events Coordinator for the Black Cultural Society of PEI and the Administrator/Outreach Coordinator for the Canadian Women of Colour Leadership Network. Her leadership extends to boards like The Fringe Festival, Fusion Charlottetown, and Kinetic Studio Dance in Halifax. Reequal’s work spans festivals, music videos, documentaries, and self-produced shows, earning her the 2025 Kerri Wynne MacLeod Women of Impact Award in the Arts. As a fire dancer, choreographer, and mentor, she champions diversity, empowering artists and youth in PEI’s arts scene. (Photo credit: Stewart MacLean)

Laurie Dumont-Bal

Laurie Dumont-Bal is a Montreal-based biracial theatre artist with Indian and French-Canadian settler origins. She works as a playwright, director, playback theatre artist and theatre teacher.

In 2024, she worked as a playwright for “Something Will Survive/Quelque Chose Survivra”, a bilingual verbatim theatre play on climate change. The project, led by Yvette Nolan and Joel Bernbaum, was created by a team at Imago Theatre in collaboration with wâhkôhtowin Project.

Since 2023, Laurie’s play “Here” has received support from the Playwrights Guild of Canada’s Mentorship Program and Craft Bites International Program, Imago Theatre’s Nested Circles artist residency, and Teesri Duniya’s Fireworks Playwriting Development Program. In April 2024, Laurie directed a staged public reading for “Here”.

Laurie has directed more than fifteen musicals at the Segal Centre Academy, where she also worked as the lead book writer for three original musicals named “Silent Knight”, “Our First Day” and “Magic All Around Us”.

Ana Luísa Ramos & Eric Taylor Escudero

Ana & Eric are a Brazilian duo based in St. John’s, Newfoundland & Labrador, blending Brazilian bossa nova and North American indie-folk. They have performed across Brazil, Europe, and Canada, gaining international recognition.

In 2020, they released two singles, Hope and Lights My Way, followed by their debut Ana & Eric EP, earning a 2021 ECMA nomination and three MusicNL nominations. Their 2023 album, Our House From Here, along with singles I Can See Our House From Here and Manhã de Abril, received acclaim in Brazil, Portugal, and Canada. The album was nominated for Global Recording of the Year at the 2024 ECMA and received three 2023 MusicNL nominations.

Ana Luísa Ramos, the duo’s vocalist and multi-instrumentalist, also won Jazz Artist of the Year and Global Artist of the Year at the 2024 MusicNL Awards, further cementing their impact on the international music scene.

Camille Fontaine

Camille Fontaine is a multi-disciplinary creative from London, England. She utilises digital photographic techniques to document society, with authentic narratives and inclusive representation at the core of her projects.
Camille’s practice explores themes surrounding the shifting notions of identity and societal belonging, by combining her media background and interest in centering underrepresented voices. Her work focuses on expressing the human experience through a multifaceted and intersectional gaze; to decolonise pre-existing approaches to creativity and unpick the frameworks of ‘normative’ identity narratives within media, design and cultural arts.

The HOME Series (2017 – present) is an ongoing project documenting concepts of sanctuary from within the global African/ Black diaspora, by capturing participants in spaces that they currently inhabit. The project explores shifting notions on identity and social belonging through location. It also investigates freedom of movement, ownership, migration and citizenship in relation to blackness in society.
The project is always in production, seeking stories to capture both locally and globally. Get in contact to take part.