Call for Submissions: The Gathering Divergence – Spring 2026

 

On a red and purple background, CPAMO’s logo and text on the right:
Call for Submissions
Deadline: April 3, 2026
Gathering Divergence Multi-Arts
Festival & Conference Spring 2026
Now and for the Future: Steps Towards Dismantling Inequities in the Arts
On the left a drawing of women’s faces

Topic: The Gathering Divergence Multi-Arts Festival & Conference SPRING 2026 | Now and for the Future: Steps Towards Dismantling Inequities in the Arts

When and Where:
May 2026
Online / In-Person events
Location TBA (Toronto)

The Gathering Divergence Interdisciplinary Festival & Conference is a festival and conference with a specific focus on Indigenous, racialized, deaf, disabled and mad, women and other historically – marginalized arts communities. Held over 2 days, GDMAF/C features performances, literary readings, visual arts exhibition, panels, workshops and creative investigations from diverse practices.

We facilitate

  • an interactive space where arts organizations artists and attendees share
  • dedicated to advancing, visual arts and performing arts , while advocating for pluralism in the arts
  • dialogue on common interests, experienced and strategies towards a better more equitable and inclusive arts sector

We believe
and encourage change can achieved through collective, creative action, and seeks to:

  • create, support and learn through open-source resources and toolkits
  • advance strategies to understand how we are influenced by issues of equity and digital technology in and out of
  • amplify the artistic practices and administration of IBPOC individuals

We aspire? We hope that everyone arrives at a better understanding of the many ways in which we support, create from and within the Arts sector as indigenous / ethno-racially identified artists with a pluralist lens.

APPLY NOW! Deadline: April 3, 2026

What we offer:

An Opportunity to:

  • Display your art
  • Showcase your performing / performance arts pieces (NO more than fifteen minutes in length)
  • Facilitate a workshop / professional development opportunity to arts workers, attendees or artists

Required for consideration:
Explanation of how your proposed work relates to the Conference / Festival through the following:

  • Broadening capacities for IBPOC Arts makers
  • Implementing creative processes for the future
  • Advance Equity, Diversity and Inclusive Learning
  • Professional Development for IBPOC Artists and Arts Organizations

Successful submissions will:

– AMPLIFY works where contributors / artists or those self identify as IBPOC
– SUPPORT works by Black / IPOC artists and Organizations
– INCLUDE Artist / Organization Website URL, Social Media Info, Biography (150 words)
– SUBMIT Headshot / Company Image / Bio Image 300 dpi
– ADD links to previous work(s) or work proposed.

For Visual Artist

  • PROVIDE Size, medium, title
  • INCLUDE installation requirements
  • UPLOAD 3-5 High Res JPEGS of work complied in a PDF Document
  • SUBMIT 300 Word Artist Statement
  • ADD 300 Word Explanation on how your work applies to the CPAMO Call for Submissions

For Performances or Workshops

  • INCLUDE Set up and installation requirements
  • SHARE Estimated time for set up and striking
  • INDICATE Whether assistance is needed or included
  • ADD 300 Word Explanation on how your work applies to the CPAMO Call for Submissions

Compensation Range varies:

– Dance / Theatre / Music Honorariums between $750 – $2000
  (based on the number of artists)
– Literary Readings between $500 – $700
– Workshops $500 (1 hour maximum)
– Visual arts* between $500 – $700 (for week’s showing)
  * CARFAC fees according to “Exhibitions in Other Public Places”


Selection Process:
Administered by a Selection Committee: CPAMO Board member(s), Co-Director/Curator of Programming and Engagement, Convenor/Co-Director Curator of Transformational Change, and Pluralism in Organizational Change (CPAMOPOC) participants.

AN IMPORTANT NOTICE: CPAMO operates in a Cloud-based platform. Documents MUST be submitted via (Google Drive, Box, One Drive, Dropbox etc.) and the link should not require permission for the Selection Committee to view.

Please make sure all submitted links are functional and include accessible links to a headshot and your support materials. Personal links from your computer / laptop should not be sent. Please upload all required.

QUESTIONS?

Contact: Kevin A. Ormsby programming [at] cpamo.org

If require accessibility accommodations please email programming [at] cpamo.org

Applicants will be notified by April 17, 2026

 

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Join us for a day of advocacy and artist showcases on May 21, 2025

On an abstract purple background three photos of a panel, dance performance and music performance with colourful lines near them.

The Gathering Divergence
Multi-Arts Festival & Conference Spring 2025 
Now and for the Future: Steps Towards Dismantling Inequities in the Arts 
May 21-23, 2025 
Online and at East End Arts (Toronto, ON) 

The Gathering Divergence Interdisciplinary Festival & Conference is a festival and conference with a specific focus on Indigenous, racialized, deaf, disabled and mad, women and other historically – marginalized arts communities. Held over 3 days, GDMAF/C features performances, literary readings, visual arts exhibition, panels, workshops and creative investigations from diverse practices. Join  us online on May 21 and May 22-23 online and in-person at East End Arts (St. Matthew’s Clubhouse, 450 Broadview Avenue, Toronto, ON M4K 2N3).

Wednesday, May 21st schedule:

10:05 am  Land Acknowledgment by Cara Loft and Welcome

10:30 am  Artist Showcase: Reequal Smith

10:45 am  Who’s Talking About Advocacy in the Arts?: It’s Continued Importance (in partnership

                   with Canadian Arts Coalition)

12:00 pm  Artist Showcase: Laurie Dumont-Bal

12:15 pm  Break

12:30 pm  Artist Showcase: Ana Luísa Ramos & Eric Taylor Escudero

12:45 pm  Artist Showcase: Camille Fontaine

1:00 pm   Closing Remarks

Tickets are $15 general admission $ $5 accessibility pricing. 

View the full schedule here!

About the sessions: 

Who’s Talking About Advocacy in the Arts?: It’s Continued Importance panel in partnership with Canadian Arts Coalition 

Advocacy arts can be a demanding and tricky conversation and many artists and arts organizations consider it an added challenge in a world where funding is dwindling, and the need to create art is ever present. The panel will discuss why advocacy is important, and provide solutions and examples to how artists and arts organizations can continue to advocate for their practice.

Moderator: Andrew Walker
Panelists:  Karla Etienne and Barbora Racevičiūtė


Bios: 

Andrew Walker
Andrew Walker is Director, Arts, Culture and Procurement for PAA. Based in Ottawa, Andrew has previously worked for Members of Parliament in both government and opposition, including the former Parliamentary Secretary to the Minister of Canadian Heritage. Andrew has also worked in advocacy for over thirty arts and culture organisations, ranging in interests from arts infrastructure funding and grant applications to cultural policies, such as broadcasting and copyright.

Andrew is also a working professional musician, having sung for over fifteen years with Grammy- and Juno-nominated groups around Canada, Ontario, and abroad. He is the former President of Choirs Ontario, the arts service organisation which represents over 1 000 choirs, musicians, and administrators across the province of Ontario, and currently sits on the board of the Network of Independent Cinema Exhibitors (NICE).


Karla Etienne 
A distinguished graduate in cultural management (HEC Montreal) and environmental sciences (UQAM), Karla Etienne, a marathon runner in every sense of the word, has travelled the plurality of roads and pathways which lead to a deeper and more accurate appreciation of what today constitutes the strengths and the potential of our artistic and cultural community in Canada. While being more generally associated with Nyata Nyata, the dance arts organization she has led alongside its founder, Zab Maboungou, since 2003, Karla Etienne has, in fact, unfailingly devoted herself over the years to advancing the cause of inclusion – through better representation – in the arts, at all levels of practice, management and dissemination, within the institutions and organizations mandated to work in this area, including, among others, the Regroupement québécois de la danse, the Conseil des arts de Montréal and the Conseil des arts et lettres du Québec. Drawing also on her experience acquired within various community organizations (including ENvironnement JEUnesse, Regroupement des femmes en environnement, and Maison d’Haïti), Karla Etienne uses her skills as a director, coordinator, writer and facilitator to advance Canada’s artistic and cultural development.(Photo Credits : Mathieu Gaudreault) 

Barbora Racevičiūtė
Barbora Racevičiūtė is the National Director of the Independent Media Arts Alliance. Born in Vilnius, is lives between Montréal and Toronto. She earned a Bachelor’s degree from the University of Toronto and an MFA from the Ontario College of Art and Design. She is an independent curator and co-runs the curatorial collective shell.

 

About the artists: 

Reequal Smith

Reequal Smith, Founder and Artistic Director of Oshun Dance Studios in Prince Edward Island, is a multidisciplinary artist originally from The Bahamas. She seamlessly blends her Bahamian heritage with Canadian dance culture, creating a vibrant fusion of Afro-Caribbean movement, contemporary dance, and funk jazz. With over a decade of performance experience and a diploma from Holland College’s School of Performing Arts, Reequal is also a dedicated arts leader. She serves as the Program and Events Coordinator for the Black Cultural Society of PEI and the Administrator/Outreach Coordinator for the Canadian Women of Colour Leadership Network. Her leadership extends to boards like The Fringe Festival, Fusion Charlottetown, and Kinetic Studio Dance in Halifax. Reequal’s work spans festivals, music videos, documentaries, and self-produced shows, earning her the 2025 Kerri Wynne MacLeod Women of Impact Award in the Arts. As a fire dancer, choreographer, and mentor, she champions diversity, empowering artists and youth in PEI’s arts scene. (Photo credit: Stewart MacLean)

Laurie Dumont-Bal

Laurie Dumont-Bal is a Montreal-based biracial theatre artist with Indian and French-Canadian settler origins. She works as a playwright, director, playback theatre artist and theatre teacher.

In 2024, she worked as a playwright for “Something Will Survive/Quelque Chose Survivra”, a bilingual verbatim theatre play on climate change. The project, led by Yvette Nolan and Joel Bernbaum, was created by a team at Imago Theatre in collaboration with wâhkôhtowin Project.

Since 2023, Laurie’s play “Here” has received support from the Playwrights Guild of Canada’s Mentorship Program and Craft Bites International Program, Imago Theatre’s Nested Circles artist residency, and Teesri Duniya’s Fireworks Playwriting Development Program. In April 2024, Laurie directed a staged public reading for “Here”.

Laurie has directed more than fifteen musicals at the Segal Centre Academy, where she also worked as the lead book writer for three original musicals named “Silent Knight”, “Our First Day” and “Magic All Around Us”.

Ana Luísa Ramos & Eric Taylor Escudero

Ana & Eric are a Brazilian duo based in St. John’s, Newfoundland & Labrador, blending Brazilian bossa nova and North American indie-folk. They have performed across Brazil, Europe, and Canada, gaining international recognition.

In 2020, they released two singles, Hope and Lights My Way, followed by their debut Ana & Eric EP, earning a 2021 ECMA nomination and three MusicNL nominations. Their 2023 album, Our House From Here, along with singles I Can See Our House From Here and Manhã de Abril, received acclaim in Brazil, Portugal, and Canada. The album was nominated for Global Recording of the Year at the 2024 ECMA and received three 2023 MusicNL nominations.

Ana Luísa Ramos, the duo’s vocalist and multi-instrumentalist, also won Jazz Artist of the Year and Global Artist of the Year at the 2024 MusicNL Awards, further cementing their impact on the international music scene.

Camille Fontaine

Camille Fontaine is a multi-disciplinary creative from London, England. She utilises digital photographic techniques to document society, with authentic narratives and inclusive representation at the core of her projects.
Camille’s practice explores themes surrounding the shifting notions of identity and societal belonging, by combining her media background and interest in centering underrepresented voices. Her work focuses on expressing the human experience through a multifaceted and intersectional gaze; to decolonise pre-existing approaches to creativity and unpick the frameworks of ‘normative’ identity narratives within media, design and cultural arts.

The HOME Series (2017 – present) is an ongoing project documenting concepts of sanctuary from within the global African/ Black diaspora, by capturing participants in spaces that they currently inhabit. The project explores shifting notions on identity and social belonging through location. It also investigates freedom of movement, ownership, migration and citizenship in relation to blackness in society.
The project is always in production, seeking stories to capture both locally and globally. Get in contact to take part.

 

 

Call for Submissions: The Gathering Divergence – Spring 2025

On a purple abstract background. Text: Call for Submissions. Gathering Divergence Multi-Arts Festival & Conference Spring 2025. Now and for the Future: Steps Towards Dismantling Inequities in the Arts Dance / Theatre / Visual Arts / Music / Literary Readings. Deadline: March 31, 2025. CPAMO logo

Gathering Divergence Interdisciplinary Festival & Conference is a festival and conference with a specific focus on Indigenous, racialized, deaf, disabled and mad, women and other historically – marginalized arts communities. Held over 2 days, GDMAF/C features performances, literary readings, visual arts exhibition, panels, workshops and creative investigations from diverse practices.  

Geared towards meaningful conversations, professional development, sharing strategies, it encourages divergence across arts practices and collaboration. This year’s theme for Gathering Divergence Multi-Arts Festival & Conference SPRING 2025 | Now and for the Future: Steps Towards Dismantling Inequities in the Arts 

We facilitate

  • an interactive space where arts organizations artists and attendees share 
  • dedicated to advancing, visual arts and performing arts , while advocating  for  pluralism in the arts 
  • dialogue on common interests, experienced and strategies towards a better more equitable and inclusive arts sector.

We believe
Systemic change is more effectively achieved through collective, creative action, and seeks to: 

  • create, support and learn through open-source resources and toolkits 
  • advance strategies to understand how we are influenced by issues of equity and digital technology in and out of 
  • amplify the artistic practices and administration of IBPOC individuals

We aspire?
We hope that everyone arrives at a better understanding of the many ways in which we support, create from and within the Arts sector as indigenous / ethno-racially identified artists with a pluralist lens.

APPLY NOW!  Deadline: March 31, 2025 at 11:59 EST

When is the festival and conference?
May 19 – 23, 2025
Location: Online / In-Person events 
Theatre Passe Muraille,  16 Ryerson Ave, Toronto, ON M5T 2P3 

What we offer:

  • Opportunity to display / showcase / facilitate a workshop or performance
  • *Performances should be NO more than fifteen minutes in length

Required for consideration:
– Explanation of how your proposed work relates to the Conference’s Themes:  
     a) Broadening capacities for IBPOC Arts makers
     b) Implementing creative process for the future
     c) Advancing Equity, Diversity and Inclusive Learning
     d) Wellness for IBPOC Artists and Arts Organizations 
– Works where contributors / artists or those self identify as IBPOC
– Works created by Black / IPOC artists and Organizations
– Artist / Organization Website URL, Social Media Info, Biography (150 words)
– Headshot / Company Image / Bio Image 300 dpi
– Links to previous work(s) or work proposed.

For Visual Artists 

  • Size, medium, title 
  • Installation requirements 
  • 3-5 High Res JPEGS of work complied in a PDF Document 
  • 300 Word Artist Statement 
  • 300 Word Explanation on how your work applies to the CPAMO Call for Submissions

For Performances or Workshop 

  • Set up and installation requirements 
  • Estimated time for set up and striking 
  • Whether assistance is needed or included
  • 300 Word Explanation on how your work applies to the CPAMO Call for Submissions

Compensation Range varies:
– Dance / Theatre  / Music Honorariums between $750 – $2000                     
  (based on the number of artists)
– Literary Readings between $500 – $700
– Workshops $500 (1 hour maximum)
– Visual arts* between $500 – $700 (for week’s showing)
  * CARFAC fees according to “Exhibitions in Other Public Places”

Selection Process: 
Administered by a Selection Committee (CPAMO Board member(s), Co-Director/Curator of Programming and Engagement, Convenor/Co-Director Curator of Transformational Change, and Pluralism in Organizational Change (CPAMOPOC) members.

AN IMPORTANT NOTICE: CPAMO operates in a Cloud-based platform. 
Documents MUST be submitted via (Google Drive, Box, One Drive, Dropbox etc.) and the link should not require permission for the Selection Committee to view. 
Submission Link: https://forms.gle/PAA3vFpGRdKGWguMA
Please remove Please make sure all submitted links are functional and include  accessible links to a headshot and your support materials. 
Personal links from your computer / laptop should not be sent. Please upload all required

QUESTIONS?: 
Contact: Kevin A. Ormsby programming@cpamo.org
Applicants will be notified by April 19, 2025